【摘要】： 陳培勛是我國(guó)當(dāng)代著名的作曲家，他的鋼琴作品數(shù)量不多，但質(zhì)量頗高，可謂首首精品，，足以顯示出其卓越的藝術(shù)才華，特別是五首根據(jù)廣東音樂(lè)素材創(chuàng)作的鋼琴曲，既保持了原曲廣東音樂(lè)的精華，又運(yùn)用各種多聲創(chuàng)作手法和鋼琴特有的音樂(lè)語(yǔ)言來(lái)表現(xiàn)原曲特有的內(nèi)涵，并因鋼琴本身諸多特性而使音樂(lè)具有了新的意蘊(yùn)。在我國(guó)鋼琴音樂(lè)創(chuàng)作中占據(jù)著重要的位置，在鋼琴演奏和教學(xué)領(lǐng)域中也具有很高的實(shí)用價(jià)值。 本文以陳培勛根據(jù)廣東音樂(lè)改編創(chuàng)作的五首鋼琴曲《賣雜貨》、《思春》、《旱天雷》、《雙飛蝴蝶主題變奏曲》、《平湖秋月》為研究對(duì)象，對(duì)其創(chuàng)作背景、創(chuàng)作風(fēng)格、創(chuàng)作技法及演奏特點(diǎn)等方面進(jìn)行探討分析。全文共分三節(jié)：第一節(jié)陳培勛廣東音樂(lè)主題鋼琴曲的創(chuàng)作背景介紹。這一節(jié)將對(duì)廣東音樂(lè)及陳培勛五首廣樂(lè)音樂(lè)主題鋼琴曲進(jìn)行簡(jiǎn)介。第二節(jié)陳培勛廣東音樂(lè)主題鋼琴曲的創(chuàng)作技法。這一節(jié)主要對(duì)作者的多聲創(chuàng)作技法，包括曲式結(jié)構(gòu)、和聲、織體、旋律、調(diào)式等進(jìn)行全面的詮釋。第三節(jié)陳培勛廣東音樂(lè)主題鋼琴曲的演奏分析。這一節(jié)包括演奏風(fēng)格及特點(diǎn)的總結(jié)和每首樂(lè)曲的演奏提示。 通過(guò)這三節(jié)的論述，充分顯示出這幾首作品既保持了原曲的廣東音樂(lè)風(fēng)格，具有濃郁地道的鄉(xiāng)土氣息，又恰到好處地利用鋼琴這一外來(lái)多聲樂(lè)器的優(yōu)勢(shì)，“鋼琴化”特征明顯，產(chǎn)生了很好的演奏效果。
[Abstract]:Chen Pei-xun is a famous contemporary composer in our country. His piano works are not many in quantity, but they are of high quality. They can be described as the first fine works, which are enough to show his outstanding artistic talent, especially five pieces of piano music based on Guangdong music materials. It not only maintains the essence of the original Guangdong music, but also expresses the unique connotation of the original music by using all kinds of multi-tone creative techniques and the unique musical language of the piano, and makes the music have a new meaning because of the many characteristics of the piano itself. Piano music in China occupies an important position in the field of piano playing and teaching has a high practical value. In this paper, five piano songs, "selling groceries", "Si Chun", "dry Sky Thunder", "Shuangfei Butterfly theme Variations", "Pinghu Autumn Moon", which Chen Pei-xun created according to Guangdong music, are taken as the research object. Creative techniques and performance characteristics were discussed and analyzed. The thesis is divided into three sections: the first section introduces the background of Chen Peixun's creation of Guangdong music theme piano. This section will introduce Guangdong music and Chen Peixun's five Guangzhou music theme pianos. The second section is the creative techniques of Chen Peixun's Guangdong musical theme piano. This section mainly explains the author's multi-tone creation techniques, including musical structure, harmony, texture, melody, mode and so on. The third section is the analysis of Chen Peixun's musical theme piano. This section includes a summary of the style and characteristics of the performance and tips for each piece of music. Through the discussion of these three sections, it is fully shown that these works not only maintain the Guangdong musical style of the original music, but also have a strong local flavor, and make good use of the advantages of the piano as a foreign musical instrument. The characteristics of "Piano" are obvious. Has produced the very good performance effect.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2002
【分類號(hào)】：J647.41

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 陳黎麗;建國(guó)后十七年中國(guó)鋼琴代表作品及特點(diǎn)分析[D];福建師范大學(xué);2007年

2 鄭遠(yuǎn);二十世紀(jì)下半葉中國(guó)鋼琴音樂(lè)創(chuàng)作初探[D];福建師范大學(xué);2006年

3 遲震;論陳培勛鋼琴音樂(lè)作品的藝術(shù)特色及其價(jià)值體現(xiàn)[D];安徽師范大學(xué);2006年

本文編號(hào)：2348818