【摘要】：巴揚(yáng)自由低音手風(fēng)琴是20世紀(jì)末才傳入我國(guó),在國(guó)內(nèi)教學(xué)中尚屬一門新興學(xué)科。巴揚(yáng)自由低音手風(fēng)琴與傳統(tǒng)式手風(fēng)琴相比,因其可變換系統(tǒng)的先進(jìn)性、音域的延展性以及音色表現(xiàn)的多樣性,在國(guó)內(nèi)手風(fēng)琴屆刮起一陣“自由低音”旋風(fēng),國(guó)內(nèi)各大音樂院校紛紛成立院系、開設(shè)這門課程。作為一個(gè)出現(xiàn)只有百余年的新興樂器,自由低音手風(fēng)琴想要發(fā)展壯大,必然需要大量原創(chuàng)作品的支持。而隨著自由低音手風(fēng)琴的普及,原創(chuàng)作品的練習(xí)是演奏者學(xué)習(xí)過程中的必經(jīng)之路。 本文分為緒論與三個(gè)章節(jié) 緒論主要介紹近現(xiàn)代音樂的發(fā)展趨勢(shì)以及研究近現(xiàn)代自由低音手風(fēng)琴及其原創(chuàng)作品發(fā)展的意義。 第一章是介紹作者舒賓及其第二奏鳴曲的音樂創(chuàng)作及其藝術(shù)價(jià)值。 第二章是針對(duì)《第二奏鳴曲》的音樂本體、作者的創(chuàng)作手法以及藝術(shù)風(fēng)格進(jìn)行音樂學(xué)分析。 第三章結(jié)合《第二奏鳴曲》的演奏特點(diǎn)與音樂處理闡述這首原創(chuàng)作品對(duì)巴揚(yáng)個(gè)性的發(fā)揮產(chǎn)生的作用,并且著重針對(duì)其特性技術(shù)訓(xùn)練提供一些解決方法,使演奏者能夠更好的把握作品風(fēng)格,完成這首近現(xiàn)代自由低音手風(fēng)琴的代表作。
[Abstract]:Bayan free bass accordion was introduced into China at the end of the 20th century. Compared with the traditional accordion, the Bayan free bass accordion has a whirlwind of "free bass" in the domestic accordion because of the advanced nature of the system, the extensibility of the phonetic range and the diversity of the timbre. Major music institutions in China have set up departments to open this course. As a new musical instrument, free bass accordion must be supported by a large number of original works in order to develop. With the popularity of the free bass accordion, the practice of original works is the only way for players to learn. This paper is divided into three chapters: introduction and introduction. It mainly introduces the development trend of modern music and the significance of studying the development of modern free bass accordion and its original works. The first chapter introduces the musical creation and artistic value of the author Schubin and his second Sonata. The second chapter is a musicological analysis of the music Noumenon of Sonata II, the author's creative techniques and artistic style. In the third chapter, combined with the performance characteristics of the second Sonata and the music processing, the author expounds the effect of this original work on the exertion of Bayan's individuality, and puts emphasis on providing some solutions to its characteristic technical training. So that the performer can better grasp the style of the work, complete this modern free bass accordion masterpiece.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J624.3

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本文編號(hào)：2348557