貝多芬《第五鋼琴協(xié)奏曲》音樂(lè)學(xué)研究
[Abstract]:Beethoven's Piano Concerto No. 5 is an extremely important work in the history of European Concerto. On the one hand, Beethoven made use of rich composition skills, tight organizational structure and highly condensed conception in the creation of music Noumenon, which made the music have a powerful momentum. On the other hand, the works are closely related to the social background at that time, with distinctive characteristics of the times and important historical significance. Beethoven's bourgeois ideology of freedom, equality and fraternity, deeply embedded in the creation of works, became the spiritual connotation of his works. The purpose of this paper is to analyze the music of Beethoven's Piano Concerto No. 5, and to explore the ideological and cultural content behind the music by combining the background of his time and the life experience of the composer. Adhering to the principle of positivism and combining the research idea of "relevance regionalization", we can study and analyze the works objectively and comprehensively. This paper is divided into four parts. The first chapter is a general introduction, mainly from the piano concerto and Beethoven in this genre in two aspects of the general situation, clear up to Beethoven "Piano Concerto No. 5" since the emergence of the historical development clue, To provide the basis for the analysis of the inheritance and innovation of this work. The second chapter is the analysis of music Noumenon, from the elements of music to analyze the characteristics of the creation of works, mainly from the theme of contrast, tonality harmony, rhythm, melody and other aspects of analysis, the characteristics of the study. The third chapter is the analysis of the connotation of music, combined with Beethoven's personal life experience and the social background at that time, explore the humanistic reasons behind music, and rise to the height of ideological connotation. Finally, the conclusion is the summative part. Through the analysis of the full text, we can see that Beethoven's Piano Concerto is the essential reason why Beethoven became the "work of the King" in the Concerto genre. Beethoven's Piano Concerto No. 5 is the representative of his musical creation skills and the crystallization of his spiritual connotation.
【學(xué)位授予單位】:山東大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2011
【分類(lèi)號(hào)】:J624.1
【相似文獻(xiàn)】
相關(guān)期刊論文 前10條
1 趙鑫珊;;音樂(lè)王國(guó)的西西弗斯——寫(xiě)在《貝多芬之魂》出版之前[J];讀書(shū);1986年12期
2 李曉冬;貝多芬音樂(lè)給我的感受[J];吉林藝術(shù)學(xué)院學(xué)報(bào);1987年S1期
3 胡千紅;;貝多芬是掌握學(xué)習(xí)訣竅的天才[J];中國(guó)教師;2007年S2期
4 胡越菲;;追求自由的“埃格蒙特”[J];歌劇;2007年12期
5 ;賞樂(lè)時(shí)代[J];航空港;2007年05期
6 劉焱;漫話貝多芬音樂(lè)節(jié)[J];中外文化交流;2005年02期
7 王漢君;;音樂(lè)應(yīng)當(dāng)使人類(lèi)的精神爆發(fā)出火花——管窺貝多芬音樂(lè)[J];內(nèi)蒙古藝術(shù);2008年02期
8 張翔;;貝多芬音樂(lè)思想的第二表達(dá)式[J];黃鐘-武漢音樂(lè)學(xué)院學(xué)報(bào);1990年03期
9 王謐;;波恩——萊茵河畔的貝多芬之城[J];音樂(lè)愛(ài)好者;2007年04期
10 徐家禎;;貝多芬最私密的自白——聽(tīng)貝多芬的《降A(chǔ)大調(diào)第三十一鋼琴奏鳴曲》作品110號(hào)[J];音樂(lè)愛(ài)好者;2008年05期
相關(guān)重要報(bào)紙文章 前10條
1 [日]n荼駒T,
本文編號(hào):2348119
本文鏈接:http://sikaile.net/wenyilunwen/musictheory/2348119.html