【摘要】：貝多芬《第五鋼琴協(xié)奏曲》是歐洲協(xié)奏曲歷史中極其重要的一部作品,是貝多芬創(chuàng)作成熟時(shí)期的代表性創(chuàng)作。一方面在音樂(lè)本體創(chuàng)作中,貝多芬運(yùn)用了豐富的作曲技巧,嚴(yán)密的組織結(jié)構(gòu)和高度凝練的構(gòu)思使音樂(lè)具有震撼的氣勢(shì)；另一方面,作品與當(dāng)時(shí)的社會(huì)背景緊密相連,具有鮮明的時(shí)代特色和重要的歷史意義。貝多芬追求自由、平等、博愛(ài)的資產(chǎn)階級(jí)思想,深深的植入作品的創(chuàng)作中,成為作曲家寄予作品的精神內(nèi)涵。 本文的研究目的在于通過(guò)對(duì)貝多芬《第五鋼琴協(xié)奏曲》的音樂(lè)分析,結(jié)合其時(shí)代背景和作曲家的生活經(jīng)歷,探究音樂(lè)背后的思想文化內(nèi)容。堅(jiān)持實(shí)證主義的原則,并結(jié)合“關(guān)聯(lián)域化”的研究理念,做到對(duì)作品客觀而全面的研究和剖析。 本文共分為四個(gè)部分。第一章是一般情況介紹,主要從鋼琴協(xié)奏曲和貝多芬在此體裁中的創(chuàng)作概況兩方面,理清至貝多芬《第五鋼琴協(xié)奏曲》問(wèn)世以來(lái)的歷史發(fā)展線索,為分析這部作品的傳承和創(chuàng)新提供基礎(chǔ)。第二章是音樂(lè)本體分析,從音樂(lè)的各要素入手分析作品的創(chuàng)作特點(diǎn),主要從主題的對(duì)比、調(diào)性和聲以及節(jié)奏、旋律等方面進(jìn)行分析,研究的特色之處。第三章是音樂(lè)的內(nèi)涵的分析,結(jié)合貝多芬個(gè)人的生活經(jīng)歷和當(dāng)時(shí)的社會(huì)背景,挖掘音樂(lè)背后的人文原因,從而上升到思想內(nèi)涵的高度。最后結(jié)語(yǔ)是總結(jié)性部分,通過(guò)全文的分析,足以看出貝多芬《第五鋼琴協(xié)奏曲》之所以成為協(xié)奏曲體裁的“王者之作”是本質(zhì)原因。貝多芬《第五鋼琴協(xié)奏曲》是其音樂(lè)創(chuàng)作技巧的代表,同時(shí)也是他精神內(nèi)涵的的結(jié)晶。
[Abstract]:Beethoven's Piano Concerto No. 5 is an extremely important work in the history of European Concerto. On the one hand, Beethoven made use of rich composition skills, tight organizational structure and highly condensed conception in the creation of music Noumenon, which made the music have a powerful momentum. On the other hand, the works are closely related to the social background at that time, with distinctive characteristics of the times and important historical significance. Beethoven's bourgeois ideology of freedom, equality and fraternity, deeply embedded in the creation of works, became the spiritual connotation of his works. The purpose of this paper is to analyze the music of Beethoven's Piano Concerto No. 5, and to explore the ideological and cultural content behind the music by combining the background of his time and the life experience of the composer. Adhering to the principle of positivism and combining the research idea of "relevance regionalization", we can study and analyze the works objectively and comprehensively. This paper is divided into four parts. The first chapter is a general introduction, mainly from the piano concerto and Beethoven in this genre in two aspects of the general situation, clear up to Beethoven "Piano Concerto No. 5" since the emergence of the historical development clue, To provide the basis for the analysis of the inheritance and innovation of this work. The second chapter is the analysis of music Noumenon, from the elements of music to analyze the characteristics of the creation of works, mainly from the theme of contrast, tonality harmony, rhythm, melody and other aspects of analysis, the characteristics of the study. The third chapter is the analysis of the connotation of music, combined with Beethoven's personal life experience and the social background at that time, explore the humanistic reasons behind music, and rise to the height of ideological connotation. Finally, the conclusion is the summative part. Through the analysis of the full text, we can see that Beethoven's Piano Concerto is the essential reason why Beethoven became the "work of the King" in the Concerto genre. Beethoven's Piano Concerto No. 5 is the representative of his musical creation skills and the crystallization of his spiritual connotation.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：J624.1

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