北京市東城區(qū)和平里地區(qū)琴行辦學(xué)調(diào)研
[Abstract]:This paper interprets this social phenomenon from the perspective of social music education. Through the interviews with piano operators, social music teachers, and parents of students, through the form of questionnaires and interviews, as well as the personal experience and feelings of the author as a social music teacher, etc. To sum up and sum up the causes of the social music phenomenon, the characteristics of the existence, the relationship between the music education and the music education, as well as the problems existing in the school and the ways to solve the problems and so on. Through the investigation of the current situation of the piano schools, we can clearly see that in today's social life, the mode of running a school for the piano companies to a certain extent meets the needs of people for the study of music art and the need to improve their own cultivation and quality. It fills up the blank of the main body in the field of social music education, and its role in improving people's spiritual and cultural level is worthy of recognition. At the same time, we should realize that as a piano company, we must have a sense of social responsibility and strive to "promote business by business, promote business by learning, and enjoy music". Piano companies not only sell musical instruments, train musical skills, but also spread culture so that more people change their lives through music. As a social music teacher, we should improve their professional level and teaching level. Parents should take a peaceful and long-term attitude towards their children's learning skills. Professional music groups should use their own resources and development platform to invest in social music education. The addition of social groups also provides a new way of thinking for the development of social music education. At the same time, we should also realize that because of the market-oriented operation of the piano industry, the pursuit of maximum interests is always the root of its existence, so it will inevitably lead to the pursuit of maximization of interests. In order to reduce its school quality and teaching quality of the situation occurred. It is necessary to give the piano companies the necessary supervision. Of course, the best candidate for this supervisory function is the government department. The relevant government departments should assume the responsibility of ensuring the healthy development of social music education. To supervise and standardize the operation of piano companies.
【學(xué)位授予單位】:中國音樂學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2011
【分類號】:J60-4
【參考文獻(xiàn)】
相關(guān)期刊論文 前4條
1 舒澤池;世紀(jì)之交的中國社會音樂教育[J];人民音樂;2000年12期
2 張力元;;社會音樂教育與改革開放同行——中國社會音樂教育30年[J];人民音樂;2009年09期
3 朱經(jīng)白;發(fā)揮社會音樂教育功能──促進(jìn)少兒素質(zhì)全面提高[J];人民音樂;1997年09期
4 ;法國把音樂教育當(dāng)國策[J];思想·理論·教育;2005年Z2期
相關(guān)碩士學(xué)位論文 前8條
1 魏豪揚(yáng);社會音樂教育之音樂藝術(shù)培訓(xùn)市場營銷研究[D];福建師范大學(xué);2006年
2 李卓;當(dāng)代中國鋼琴教育二十年[D];天津音樂學(xué)院;2000年
3 斯雯;烏魯木齊社會音樂教育調(diào)查與研究[D];新疆師范大學(xué);2007年
4 甄妍妍;棗莊市社會音樂教育現(xiàn)狀調(diào)查研究[D];曲阜師范大學(xué);2009年
5 涂金偉;論當(dāng)代中國琴行中的鋼琴教育[D];河南大學(xué);2009年
6 鄧婧;社會音樂教師現(xiàn)狀和對策研究[D];湖南師范大學(xué);2009年
7 劉姍姍;南京地區(qū)兒童社會音樂教育的現(xiàn)狀調(diào)查[D];南京藝術(shù)學(xué)院;2009年
8 余麗華;珠三角新興城市—佛山市業(yè)余鋼琴教育的現(xiàn)狀與展望[D];上海音樂學(xué)院;2009年
,本文編號:2267878
本文鏈接:http://sikaile.net/wenyilunwen/musictheory/2267878.html