【摘要】：民歌是人類歷史發(fā)展過(guò)程中出現(xiàn)較早的一種文學(xué)藝術(shù)表現(xiàn)形式,它是隨著人類社會(huì)歷史的發(fā)展而發(fā)展的。世代生活于青藏高原的藏族人民,通過(guò)長(zhǎng)時(shí)期的社會(huì)生活,創(chuàng)作了為數(shù)眾多、動(dòng)人心弦的優(yōu)秀民歌。而不同時(shí)期的歷史時(shí)期,藏族人民結(jié)合自己的社會(huì)生活,繼承和發(fā)展了這一特殊的文藝表現(xiàn)形式�？梢哉f(shuō),藏族民歌對(duì)藏族民間文學(xué)藝術(shù)的發(fā)展作出了不可磨滅的特殊貢獻(xiàn)。 時(shí)政歌作為民歌體裁的分支內(nèi)容,它是階級(jí)社會(huì)的特殊產(chǎn)物。藏族時(shí)政歌的淵源很長(zhǎng),這點(diǎn)從敦煌文獻(xiàn)可以得到佐證,而后來(lái)的薩迦、帕竹、仁蚌、藏巴地方政府時(shí)期,藏族時(shí)政歌得到了進(jìn)一步的繼承和發(fā)展,這些時(shí)政歌至今廣泛流傳于藏族人民中。尤其在二十世紀(jì)以來(lái),時(shí)政歌成為了藏族民歌藝術(shù)的重要表現(xiàn)形式。事雖如此,學(xué)界對(duì)藏族時(shí)政歌至今無(wú)人問(wèn)津,有關(guān)對(duì)藏族時(shí)政歌的研究成果尚未出世,此乃筆者從事對(duì)藏族時(shí)政歌進(jìn)行研究的初衷和目的所在。 本人通過(guò)系統(tǒng)的理論學(xué)習(xí),結(jié)合自己的實(shí)際經(jīng)驗(yàn),針對(duì)藏族時(shí)政歌較為全面、系統(tǒng)地研究和探討,撰寫(xiě)了《論藏族民間時(shí)政歌》一文。本文以辯證唯物主義和歷史唯物主義思想為指導(dǎo),理論與實(shí)踐的結(jié)合,并經(jīng)過(guò)實(shí)地考察,走訪了有關(guān)人士,搜集大量資料并輔以實(shí)例,分析和探討了藏族時(shí)政歌。 本文通過(guò)三部分對(duì)藏族民間時(shí)政歌進(jìn)行了較深入的剖析: 第一部分,首先對(duì)時(shí)政歌這一特殊體裁在藏族歷史的產(chǎn)生作出了論證,然后分別闡述了藏族時(shí)政歌的本質(zhì)、藏族時(shí)政歌的發(fā)展歷程、 藏族時(shí)政歌的不同分類; 第二部分,通過(guò)對(duì)藏族不同歷史時(shí)期的時(shí)政歌創(chuàng)作、傳承和發(fā)展的闡述,以及對(duì)藏族時(shí)政歌的特殊內(nèi)涵、藝術(shù)特征、時(shí)空特征的深入剖析,闡明了筆者對(duì)藏族時(shí)政歌的認(rèn)識(shí)和見(jiàn)解。 第三部分,結(jié)合文學(xué)藝術(shù)、民間文藝的重要理論,用歷史唯物主義和辯證唯物主義的認(rèn)識(shí)觀,對(duì)藏族時(shí)政歌的現(xiàn)實(shí)意義、實(shí)用價(jià)值、文藝價(jià)值和文獻(xiàn)價(jià)值進(jìn)行了較深入的分析。
[Abstract]:Folk song is an early form of literary and artistic expression in the course of the development of human history. It develops with the development of the history of human society. Generations of Tibetan people living on the Tibetan Plateau, through a long period of social life, created a large number of exciting excellent folk songs. In different periods of history, the Tibetan people inherited and developed this special form of literature and art combined with their own social life. It can be said that Tibetan folk songs have made indelible contributions to the development of Tibetan folk literature and art. As a branch of folk songs, political songs are special products of class society. The history of Tibetan political songs is very long, which can be confirmed by the Dunhuang documents. But later on, during the period of Sakya, Pazhu, Ren clam, and Tibetan and Ba local governments, Tibetan political songs were further inherited and developed. These political songs are now widely spread among the Tibetan people. Especially since the 20 th century, political songs have become an important form of Tibetan folk song art. In spite of this, no one has paid much attention to the Tibetan political songs in academic circles, and the research results on the Tibetan political songs have not come out yet. This is the original intention and purpose of the author's research on the Tibetan political songs. Through systematic theoretical study and combining with my own practical experience, I have systematically studied and discussed the Tibetan political songs, and have written the essay "on Tibetan Folk political songs". Under the guidance of dialectical materialism and historical materialism, the combination of theory and practice, and through on-the-spot investigation, this paper visits relevant personages, collects a great deal of data and gives some examples to analyze and discuss the Tibetan political anthem. This article has carried on the thorough analysis to the Tibetan folk politics song through the three parts: the first part, has made the demonstration to this special genre in the Tibetan history, then elaborated the essence of the Tibetan political song separately. The second part, through the creation, inheritance and development of the Tibetan current and political songs in different historical periods, as well as the special connotation of the Tibetan current political songs. The deep analysis of artistic features and space-time features clarifies the author's understanding and opinions on Tibetan political songs. The third part, combining the important theories of literature and art, folk literature and art, and using the cognition view of historical materialism and dialectical materialism, makes a deep analysis of the realistic significance, practical value, literary value and literature value of Tibetan political songs.
【學(xué)位授予單位】：西藏大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J607

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