【摘要】： 江文也是我國(guó)近現(xiàn)代音樂(lè)史上一位特殊的音樂(lè)家。他畢生的創(chuàng)作和他那特殊經(jīng)歷有著密切的關(guān)系：臺(tái)灣出生，大陸成長(zhǎng)，成名于日本后毅然舍棄輝煌的前景回到大陸，經(jīng)歷了抗日戰(zhàn)爭(zhēng)、解放戰(zhàn)爭(zhēng)、反右、文化大革命等歷程仍鍥而不舍地創(chuàng)作音樂(lè)，，其音樂(lè)反映出樂(lè)觀、質(zhì)樸的精神面貌，有著濃郁的民族風(fēng)格和氣息。在他坎坷曲折的一生中，共創(chuàng)作了一百多部作品，涉及了管弦樂(lè)、鋼琴、室內(nèi)樂(lè)等各種領(lǐng)域，是一位勤奮多產(chǎn)的作曲家、音樂(lè)教育家。鋼琴音樂(lè)是江文也音樂(lè)創(chuàng)作的開端，貫穿于他的整個(gè)創(chuàng)作生涯，是他創(chuàng)作的一個(gè)重要組成部分。 本文運(yùn)用了調(diào)查、訪問(wèn)、文獻(xiàn)等方法，對(duì)中日傳統(tǒng)音樂(lè)在江文也鋼琴音樂(lè)創(chuàng)作中的運(yùn)用、民族化風(fēng)格問(wèn)題進(jìn)行研究。全文共分兩個(gè)部分。第一部分是對(duì)江文也的生平和作品作簡(jiǎn)要的概括，為下文提供了一個(gè)全面的背景資料。第二部分是對(duì)江文也鋼琴作品實(shí)體的研究，第一節(jié)是把江文也的鋼琴音樂(lè)創(chuàng)作分為前期、過(guò)渡期和后期進(jìn)行綜合論述；第二節(jié)從日本的、中國(guó)臺(tái)灣的、中國(guó)大陸的傳統(tǒng)音樂(lè)在江文也鋼琴音樂(lè)創(chuàng)作中的運(yùn)用，探究其音樂(lè)創(chuàng)作與傳統(tǒng)音樂(lè)與時(shí)代的內(nèi)在聯(lián)系，找出其創(chuàng)作的民族化風(fēng)格的形成及其特點(diǎn)，以期這樣的研究能夠在一定程度上豐富對(duì)江文也的研究。
[Abstract]:Jiang Wen is also a special musician in the modern music history of China. His lifelong creation was closely related to his special experience: Taiwan was born, the mainland grew up, and after becoming famous in Japan, he resolutely abandoned his brilliant prospects and returned to the mainland, experiencing the War of Resistance against Japan, the War of Liberation, and the Anti-Rightist War. The course of the Cultural Revolution is still persevering in the creation of music, which reflects the optimistic, simple spirit and rich national style and flavor. In his ups and downs of life, a total of more than 100 works, involving orchestral, piano, chamber music and other fields, is a diligent and productive composer, music educator. Piano music is the beginning of Jiang Wen's music creation, which runs through his whole creative career and is an important part of his creation. By means of investigation, interview and literature, this paper studies the application and nationalization of Chinese and Japanese traditional music in Jiang Wen's piano music creation. The paper is divided into two parts. The first part is a brief summary of Jiang Wen's life and works, which provides a comprehensive background for the following. The second part is the research on the entity of Jiang Wen's piano works. The first section is to divide the piano music creation of Jiang Wen into the early stage, the transition period and the later period. The second section is from Japan, Taiwan, China. The application of Chinese mainland traditional music in Jiang Wen's piano music creation, explores the internal relationship between his music creation and traditional music and the times, and finds out the formation and characteristics of the nationalized style of his creation. In order to enrich the study of Jiang Wen to a certain extent.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類號(hào)】：J605

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 廖紅宇;福建鋼琴音樂(lè)發(fā)展歷史研究[D];福建師范大學(xué);2010年

相關(guān)碩士學(xué)位論文 前4條

1 高一聞;江文也鋼琴套曲《北京萬(wàn)華集》Op.22的音樂(lè)與演奏分析[D];東北師范大學(xué);2011年

2 鄭遠(yuǎn);二十世紀(jì)下半葉中國(guó)鋼琴音樂(lè)創(chuàng)作初探[D];福建師范大學(xué);2006年

3 謝單單;試析江文也鋼琴套曲《鄉(xiāng)土節(jié)令詩(shī)》的創(chuàng)作特色[D];湖南師范大學(xué);2008年

4 項(xiàng)少媚;由“西日交流”到“中西合璧”[D];浙江師范大學(xué);2010年

本文編號(hào)：2265609