【摘要】：本文以斯特拉文斯基新古典主義后期的一部作品——《彌撒曲》為分析對(duì)象,針對(duì)其中的以泛自然音技巧展開(kāi)討論。第一章對(duì)作品的創(chuàng)作背景與《圣詩(shī)交響曲》予以簡(jiǎn)要論述；第二章為作品中的各種技法分析,其中以作品中的泛自然音技巧分析為主,以曲調(diào)、橫向?qū)ξ弧⒖v向和聲、對(duì)比音色的結(jié)合以及作品整體與局部的對(duì)稱結(jié)構(gòu)分析為輔。通過(guò)對(duì)各種參數(shù)的分析以說(shuō)明泛自然音技巧的運(yùn)用對(duì)曲中各種參數(shù)的影響。筆者將結(jié)論作為第三章,在結(jié)論中筆者對(duì)于泛自然音技巧的作用及在20世紀(jì)音樂(lè)中的地位作以闡述。從文中對(duì)曲調(diào)、音高、對(duì)位、音色、和弦、結(jié)構(gòu)等音樂(lè)要素特征的分析中可以獲悉斯特拉文斯基對(duì)傳統(tǒng)音樂(lè)的傳承與重塑,以及音樂(lè)表達(dá)與文本內(nèi)涵完美結(jié)合等兩個(gè)方面。
[Abstract]:In this paper, a work of Stravinsky's late Neoclassicism, Mass, is taken as the analysis object, and the pan-natural sound technique is discussed. The first chapter briefly discusses the background of the creation of the works and the Symphony of the Holy Poems. The second chapter is the analysis of various techniques in the works, in which the pan-natural sound skills are mainly analyzed, the tunes, the horizontal contrasts, the longitudinal harmonies, and so on. The combination of contrastive timbre and the analysis of the overall and local symmetrical structure of the work are complementary. Through the analysis of various parameters, the influence of pan-natural sound technique on the parameters in the song is explained. The author takes the conclusion as the third chapter. In the conclusion, the author expounds the role of pan-natural sound technique and its position in the music of the 20th century. From the analysis of musical elements, such as tune, pitch, position, timbre, chord, structure and so on, we can learn Stravinsky's inheritance and remoulding of traditional music, and the perfect combination of musical expression and text connotation.
【學(xué)位授予單位】：上海音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J614

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相關(guān)期刊論文 前2條

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2 楊振寧;對(duì)稱和物理學(xué)[J];中國(guó)音樂(lè);1995年04期

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本文編號(hào)：2260628