貝多芬降B大調(diào)第二鋼琴協(xié)奏曲演奏研究
發(fā)布時間：2018-09-12 11:34
【摘要】：貝多芬在音樂創(chuàng)作上的貢獻是不言而喻的，他一生中創(chuàng)作了大量的令人值得回味的音樂作品，為后來其它方面的音樂創(chuàng)作后人留下了寶貴的物質(zhì)財富和精神遺產(chǎn)。而鋼琴協(xié)奏曲方面的創(chuàng)作在他整個音樂道路的發(fā)展上占有著至關重要的地位和作用。貝多芬一生中共創(chuàng)作了5部鋼琴協(xié)奏曲。從他的作品中，我們能真切地體會與捕捉到貝多芬本人對生活的一種熱愛，對理想的一種向往與追求。在這5部鋼琴協(xié)奏曲中，經(jīng)常在演奏中出現(xiàn)的要數(shù)一、三、四、五部，而且涉獵到的一些文獻影像資料也比較齊全，然而貝多芬的這首《降B大調(diào)第二鋼琴協(xié)奏曲》，它屬于貝多芬鋼琴協(xié)奏曲的早期作品，在創(chuàng)作的內(nèi)容與風格的表現(xiàn)上與其它幾部作品有著很大的不同而且涉獵到文獻資料也相對匱乏。 雖然貝多芬在音樂作品的風格特色、創(chuàng)作手法、藝術內(nèi)涵等方面的一些思路和想法在作品的創(chuàng)作中受到了莫扎特和海頓兩位藝術大師的影響，引用了他們在音樂作品中的一些模式，，但是貝多芬本人在作品的旋律色彩、織體語言以及創(chuàng)作思路上，均突破了莫扎特和海頓的音樂風格，并形成了一套屬于自己風格特色的音樂創(chuàng)作手法。而這些無不在貝多芬早期的這部《降B大調(diào)第二鋼琴協(xié)奏曲》作品中體現(xiàn)出來。 本文首先擬從歷史學的宏觀角度著重對貝多芬鋼琴協(xié)奏曲進行了概括性的總結(jié)，通過對史料的整理和分析，以歷史發(fā)展過程中作品產(chǎn)生的先后順序為主線，試圖更加準確而全面的再現(xiàn)貝多芬鋼琴協(xié)奏曲的全貌。其次，本文將以《降B大調(diào)第二鋼琴協(xié)奏曲》作為切入點，去進一步探尋貝多芬鋼琴協(xié)奏曲創(chuàng)作的整個發(fā)展過程與時代意義，并試圖把這首《降B大調(diào)第二鋼琴協(xié)奏曲》放在歷史的長河中進行回顧與反思，總結(jié)其經(jīng)驗和教益，使人們對協(xié)奏曲這一音樂的創(chuàng)作風格與表現(xiàn)手法有一個更加全面精準地理解和把握。
[Abstract]:Beethoven's contribution to music creation is self-evident. In his life, he has created a large number of music works worthy of aftertaste, leaving valuable material wealth and spiritual heritage for the later posterity of other aspects of music creation. The creation of piano concerto plays an important role in the development of his whole musical path. Beethoven wrote five piano concertos in his life. From his works, we can truly understand and capture Beethoven's love of life and his yearning for and pursuit of ideal. Among the five piano concertos, one, three, four, five often appear in the performance, and some documents and images are quite complete. However, this Beethoven's Piano Concerto No. 2 in B major, which belongs to the early works of Beethoven's Piano Concerto, There are great differences between the content and style of creation and other works and the lack of literature. Although Beethoven's ideas and ideas on the style, and artistic connotation of his musical works were influenced by Mozart and Haydn. But Beethoven himself broke through Mozart and Haydn's musical style in terms of melodic color, texture language, and creative ideas. And has formed a set of own style characteristic music creation technique. All of these are reflected in Beethoven's earlier Piano Concerto No. 2 in B major. This paper first intends to summarize the piano concerto of Beethoven from the macroscopic angle of history. Through the arrangement and analysis of historical data, the main line is the sequence of the works in the course of historical development. Try to reproduce the complete picture of Beethoven piano concerto more accurately and comprehensively. Secondly, this paper will take Piano Concerto No. 2 in B major as a starting point to further explore the whole development process and significance of Beethoven's Piano Concerto creation. And try to put the second Piano Concerto in B major in the long river of history to review and reflect, sum up its experience and lessons, So that people have a more comprehensive and accurate understanding and grasp of the style and expression of Concerto.
【學位授予單位】：哈爾濱師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J624.1
本文編號：2238881
[Abstract]:Beethoven's contribution to music creation is self-evident. In his life, he has created a large number of music works worthy of aftertaste, leaving valuable material wealth and spiritual heritage for the later posterity of other aspects of music creation. The creation of piano concerto plays an important role in the development of his whole musical path. Beethoven wrote five piano concertos in his life. From his works, we can truly understand and capture Beethoven's love of life and his yearning for and pursuit of ideal. Among the five piano concertos, one, three, four, five often appear in the performance, and some documents and images are quite complete. However, this Beethoven's Piano Concerto No. 2 in B major, which belongs to the early works of Beethoven's Piano Concerto, There are great differences between the content and style of creation and other works and the lack of literature. Although Beethoven's ideas and ideas on the style, and artistic connotation of his musical works were influenced by Mozart and Haydn. But Beethoven himself broke through Mozart and Haydn's musical style in terms of melodic color, texture language, and creative ideas. And has formed a set of own style characteristic music creation technique. All of these are reflected in Beethoven's earlier Piano Concerto No. 2 in B major. This paper first intends to summarize the piano concerto of Beethoven from the macroscopic angle of history. Through the arrangement and analysis of historical data, the main line is the sequence of the works in the course of historical development. Try to reproduce the complete picture of Beethoven piano concerto more accurately and comprehensively. Secondly, this paper will take Piano Concerto No. 2 in B major as a starting point to further explore the whole development process and significance of Beethoven's Piano Concerto creation. And try to put the second Piano Concerto in B major in the long river of history to review and reflect, sum up its experience and lessons, So that people have a more comprehensive and accurate understanding and grasp of the style and expression of Concerto.
【學位授予單位】：哈爾濱師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J624.1
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本文編號：2238881
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