樂府史研究
發(fā)布時(shí)間：2018-09-11 15:39
【摘要】： 本文分七章，選擇樂府史發(fā)展過程中的一些重要問題作了考證研究。 第一章，「二十世紀(jì)樂府研究述論」，從研究概況、主要問題、基本進(jìn)程等角度，對(duì)二十世紀(jì)初迄今的樂府研究狀況以及樂府研究的學(xué)術(shù)史發(fā)展作了全面論述。 第二章「樂府建置考」，通過對(duì)樂府的起源、漢初音樂機(jī)關(guān)的設(shè)置、漢武帝立樂府、漢哀帝罷樂府等問題的探討，表述了早期樂府史的發(fā)展歷程。 第三章「黃門鼓吹考」，對(duì)黃門鼓吹及與之密切相關(guān)的東漢四品樂問題進(jìn)行了深入的探討，指出：黃門鼓吹的音樂內(nèi)容是鼓吹曲，其本原功能是用於乘輿儀仗。四品樂即大予樂、雅頌樂、黃門鼓吹樂、短簫鐃歌樂。這四種音樂之間不存在等級(jí)、雅俗之辨的問題，它們都屬於儀式用樂。 第四章「相和歌雜考」，對(duì)相和與相和歌、但歌與相和歌、相和歌在東晉南北朝時(shí)期的流傳等問題作了詳細(xì)的考證。 第五章「東晉樂府與玄言詩」，從樂府史發(fā)展的角度，，運(yùn)用音樂文學(xué)研究的方法與成果，對(duì)東晉玄言詩問題作出了新的詮釋。文中指出，玄言詩主宰東晉詩壇，其原因不僅僅在於「因談?dòng)鄽猓鞒晌捏w」，更在於東晉一朝官方音樂的缺失和樂府活動(dòng)的貧乏。 第六章「橫吹曲考論」，對(duì)橫吹曲的傳承和記錄作了詳盡考察，指出：漢橫吹曲二十八解傳世并得到記錄的曲調(diào)有十八支，而不是過去人們所認(rèn)識(shí)的僅有十支。 第七章「漢唐郊廟樂舞考論」，對(duì)漢魏六朝隋唐五代郊廟樂舞作了通盤考訂，在此基礎(chǔ)上，從舞制、用樂之禮、樂舞的具體應(yīng)用、歌辭用韻等角度探討了中國古代郊廟樂舞的傳統(tǒng)，以及郊廟歌辭對(duì)中國古代詩歌發(fā)展的影響等問題。
[Abstract]:This article is divided into seven chapters, selected some important issues in the development of Yuefu history to make textual research. The first chapter, "on the study of Yuefu in the 20th Century", from the perspective of general situation, main problems and basic process, makes a comprehensive discussion on the research situation of Yuefu in the early 20th century and the development of the academic history of Yuefu. The second chapter discusses the origin of Yuefu, the establishment of musical organs in early Han Dynasty, the establishment of Yuefu by Emperor Wu, and the history of Yuefu in early Han Dynasty. The third chapter "Huangmen preaching examination", carried on the thorough discussion to the Huangmen preaching and closely related to the Eastern Han Dynasty four pint music question, pointed out: the Huangmen preaching music content is the trumpeting music, its original function is uses in the traveling and the apparatus war. Four music is great music, Yazong music, Huangmen trumpeting music, short Xiao Nao music. There is no hierarchy between these four kinds of music, the problem of elegance and vulgarity, they all belong to ritual music. Chapter four, "the mixed examination of Xianghe songs", makes a detailed textual research on the spread of Xiang he Song, Xiang he Song and Xiang he Song in the period of Eastern Jin and Northern and Southern dynasties. Chapter five, "Yuefu and metaphysical Poems in the Eastern Jin Dynasty", from the perspective of the development of Yuefu history, makes a new interpretation of the problem of metaphysical poetry in the Eastern Jin Dynasty by using the methods and achievements of the study of musical literature. The paper points out that the reason why metaphysical poetry dominates the poetry of the Eastern Jin Dynasty lies not only in the lack of official music and the paucity of Yuefu activities in the Eastern Jin Dynasty, but also in the absence of official music in the first dynasty of the Eastern Jin Dynasty. The sixth chapter, "A study on the Transverse blowing Ququ", makes a detailed investigation on the inheritance and record of the Transverse Blow-music, and points out that there are eighteen tunes recorded in 28 of the Han Transverse Blower, rather than only ten known in the past. The seventh chapter "Han and Tang Jiao Temple Music and Dance", made a comprehensive examination of Han, Wei, Tang, Sui, Tang and five dynasties' music and dance. On this basis, from the dance system, using music ritual, the specific application of music and dance, From the perspective of rhyme, this paper discusses the tradition of music and dance in ancient Chinese suburban temples, and the influence of songs on the development of ancient Chinese poetry.
【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2002
【分類號(hào)】：J609.2;I206.2
本文編號(hào)：2237111
[Abstract]:This article is divided into seven chapters, selected some important issues in the development of Yuefu history to make textual research. The first chapter, "on the study of Yuefu in the 20th Century", from the perspective of general situation, main problems and basic process, makes a comprehensive discussion on the research situation of Yuefu in the early 20th century and the development of the academic history of Yuefu. The second chapter discusses the origin of Yuefu, the establishment of musical organs in early Han Dynasty, the establishment of Yuefu by Emperor Wu, and the history of Yuefu in early Han Dynasty. The third chapter "Huangmen preaching examination", carried on the thorough discussion to the Huangmen preaching and closely related to the Eastern Han Dynasty four pint music question, pointed out: the Huangmen preaching music content is the trumpeting music, its original function is uses in the traveling and the apparatus war. Four music is great music, Yazong music, Huangmen trumpeting music, short Xiao Nao music. There is no hierarchy between these four kinds of music, the problem of elegance and vulgarity, they all belong to ritual music. Chapter four, "the mixed examination of Xianghe songs", makes a detailed textual research on the spread of Xiang he Song, Xiang he Song and Xiang he Song in the period of Eastern Jin and Northern and Southern dynasties. Chapter five, "Yuefu and metaphysical Poems in the Eastern Jin Dynasty", from the perspective of the development of Yuefu history, makes a new interpretation of the problem of metaphysical poetry in the Eastern Jin Dynasty by using the methods and achievements of the study of musical literature. The paper points out that the reason why metaphysical poetry dominates the poetry of the Eastern Jin Dynasty lies not only in the lack of official music and the paucity of Yuefu activities in the Eastern Jin Dynasty, but also in the absence of official music in the first dynasty of the Eastern Jin Dynasty. The sixth chapter, "A study on the Transverse blowing Ququ", makes a detailed investigation on the inheritance and record of the Transverse Blow-music, and points out that there are eighteen tunes recorded in 28 of the Han Transverse Blower, rather than only ten known in the past. The seventh chapter "Han and Tang Jiao Temple Music and Dance", made a comprehensive examination of Han, Wei, Tang, Sui, Tang and five dynasties' music and dance. On this basis, from the dance system, using music ritual, the specific application of music and dance, From the perspective of rhyme, this paper discusses the tradition of music and dance in ancient Chinese suburban temples, and the influence of songs on the development of ancient Chinese poetry.
【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2002
【分類號(hào)】：J609.2;I206.2
【引證文獻(xiàn)】
相關(guān)期刊論文 前1條
1 康瑞軍;;歷代音樂機(jī)構(gòu)與樂官制度研究現(xiàn)狀述評(píng)[J];中國音樂學(xué);2007年03期
相關(guān)博士學(xué)位論文 前4條
1 韓偉;宋代樂論研究[D];南京大學(xué);2011年
2 任飛;唐代太常、教坊樂官研究[D];福建師范大學(xué);2011年
3 崔煉農(nóng);漢魏六朝樂府辭樂關(guān)系研究[D];上海師范大學(xué);2003年
4 劉洋;唐代宮廷樂器組合研究[D];中國藝術(shù)研究院;2008年
相關(guān)碩士學(xué)位論文 前10條
1 張靖;西漢昭宣時(shí)期樂府研究[D];廣西師范學(xué)院;2010年
2 沈慧慧;漢魏鼓吹索隱[D];南京藝術(shù)學(xué)院;2011年
3 馮文娜;《隴西行》樂府古題研究[D];蘭州大學(xué);2011年
4 陳猛;宋前樂府制度對(duì)樂府詩分類的影響[D];廣西師范大學(xué);2011年
5 陳雪;初唐文人樂府詩研究[D];黑龍江大學(xué);2011年
6 吳冰;六朝清商樂發(fā)展探微[D];南京藝術(shù)學(xué)院;2007年
7 吳婷;《樂府詩集》引用的音樂文獻(xiàn)研究[D];南昌大學(xué);2007年
8 史凱敏;鼓吹（樂）署考[D];河南大學(xué);2008年
9 王睿;魏晉南朝國家力量與郊廟樂府制作[D];華東師范大學(xué);2008年
10 陳澤澤;漢魏六朝郊廟歌辭研究[D];湖南師范大學(xué);2010年
本文編號(hào)：2237111
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