舒伯特鋼琴即興曲Op.90和Op.142分析比較
[Abstract]:When it comes to Schubert, people always think of him as the King of songs. Indeed, Schubert's art songs have their unique charm. He exploited the full potential of art songs and made them a perfect form of expression. The 600 or so artistic songs he wrote added a dazzling glow to the treasure house of art songs, so much so that Schumann and Brahms, Wolfe, as well as Richard Strauss and Mahler, including Wagner, continued along the path Schubert had pioneered. But Schubert, in addition to art songs, also left a lot of fine works in the fields of symphony, chamber music and piano, as well as the creation of opera and religious music. His piano works also occupy a unique position in the history of music. He has created a large number of piano works, including sonatas, fancies, characteristic songs (that is, Xing qu, musical moments), waltzes, etc. These characteristics of the small (that is, Xingqu, music moment) is Schubert's special contribution to the piano. Schubert's melodies are lyrical and simple, like a pair of elaborate sketches of poetry, Schumann, Chopin and Liszt's works are deeply influenced, creating the first romantic piano sketch. At present, there are many articles on Schubert's Xingqu research, which are analyzed from different angles and different degrees. This paper will analyze the historical background, artistic characteristics and performance essentials of the two sets of Xingqu, and try to compare the two works in the most concise and clear language in order to provide learning and reference for performance and teaching.
【學(xué)位授予單位】:江西師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2012
【分類號】:J624.1
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