【摘要】：手風(fēng)琴室內(nèi)樂是手風(fēng)琴演奏重要形式之一,其最早出現(xiàn)在19世紀末的中歐地區(qū)。隨著改革開放的進一步深入,手風(fēng)琴室內(nèi)樂在我國快速發(fā)展起來。手風(fēng)琴室內(nèi)樂的出現(xiàn)開辟了手風(fēng)琴演奏的新領(lǐng)域,它一改手風(fēng)琴獨奏或伴奏的演奏形式,大大拓展了手風(fēng)琴樂器的藝術(shù)表現(xiàn)力,給予了大眾耳目一新的感覺,對未來室內(nèi)樂、手風(fēng)琴的發(fā)展將產(chǎn)生重要影響。但相比國際發(fā)展形勢,我國手風(fēng)琴室內(nèi)樂發(fā)展目前還處于瓶頸的特殊時期,筆者通過收集關(guān)于我國手風(fēng)琴室內(nèi)樂創(chuàng)作、實踐、教學(xué)、成績等方面的資料,對我國手風(fēng)琴室內(nèi)樂的發(fā)展歷程、樂團狀況、作品內(nèi)容、組合形式、音樂風(fēng)格等諸多方面進行了研究。 文章共分為三個部分：第一部分闡述室內(nèi)樂、手風(fēng)琴室內(nèi)樂的概念；第二部分概述國內(nèi)手風(fēng)琴室內(nèi)樂發(fā)展現(xiàn)狀,在查閱大量文獻資料以及部分具有代表性室內(nèi)樂譜例的基礎(chǔ)上,對手風(fēng)琴現(xiàn)狀的不足進行分析,并通過對手風(fēng)琴室內(nèi)樂組合的文獻綜述和研究,對手風(fēng)琴室內(nèi)樂的作品特征、表現(xiàn)形式、音樂風(fēng)格等方面進行總結(jié)研究；第三部分針對第二部分分析的狀況提出建議,筆者針對我國手風(fēng)琴室內(nèi)樂發(fā)展現(xiàn)況及特點提出：更新理念推動手風(fēng)琴室內(nèi)樂全面發(fā)展；改革教育體系推動手風(fēng)琴室內(nèi)樂可持續(xù)發(fā)展；借鑒國外經(jīng)驗推動手風(fēng)琴室內(nèi)樂專業(yè)化、系統(tǒng)化訓(xùn)練,使手風(fēng)琴室內(nèi)樂演奏者提高演奏技巧；激活手風(fēng)琴室內(nèi)樂作品創(chuàng)作動力；實現(xiàn)民族化給手風(fēng)琴室內(nèi)樂注入生命力；倡導(dǎo)手風(fēng)琴室內(nèi)樂藝術(shù)市場化等建議,以期促進我國手風(fēng)琴室內(nèi)樂的進一步發(fā)展。
[Abstract]:Accordion chamber music is one of the important forms of accordion playing, which first appeared in Central Europe in the late 19 th century. With the further deepening of reform and opening up, accordion chamber music in China's rapid development. The emergence of accordion chamber music has opened up a new field for accordion performance. As soon as it changes the form of accordion solo or accompaniment, it greatly expands the artistic expression of accordion instruments, gives the masses a fresh feeling and gives them a fresh sense of future chamber music. The development of accordions will have an important impact. However, compared with the international situation, the development of accordion chamber music in our country is still in a special period of bottleneck at present. The author collects information on the creation, practice, teaching, achievement and so on of the chamber music of accordion in China. In this paper, the development of chamber music of accordion in China, the status of orchestra, the content of works, the form of composition, the style of music and so on are studied. The article is divided into three parts: the first part describes the concept of chamber music, accordion chamber music, the second part summarizes the development of domestic accordion chamber music, on the basis of consulting a lot of literature and some representative chamber music spectrum examples. Based on the analysis of the status quo of accordion, and through the literature review and research on accordion chamber music combination, the work characteristics, forms of expression, music style and other aspects of accordion chamber music are summarized and studied. The third part of the second part of the analysis of the status of recommendations, the author of our accordion chamber music development status and characteristics: update the concept to promote the overall development of accordion chamber music; To reform the educational system to promote the sustainable development of accordion chamber music, to promote the professional and systematic training of accordion chamber music for reference from foreign experience, to enable accordion chamber musicians to improve their playing skills, to activate the creative power of accordion chamber music works; To realize nationalization, to inject vitality into accordion chamber music, to advocate the art marketization of accordion chamber music, and to promote the further development of accordion chamber music in China.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J624.3

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