【摘要】：揚琴是明末由波斯傳入中國的,已有四百多年歷史。最初是為曲藝伴奏,后形成多種流派。它是一件世界性的民族樂器,發(fā)展至今,現(xiàn)已成為中國現(xiàn)代民族器樂中的一件具有獨特魅力的擊弦樂器。 我國是具有五千年歷史的文明古國,有著豐富的語言、曲調(diào)等歷史文化,中國傳統(tǒng)文化包括諸子百家,琴棋書畫,傳統(tǒng)文學(xué),傳統(tǒng)節(jié)日,中華詩詞,中國戲劇等藝術(shù)門類。這些豐富的文化藝術(shù)元素為現(xiàn)代作曲家的音樂創(chuàng)作提供了寶貴的題材資源。 項祖華先生出生于音樂世家,自幼受到了江南絲竹音樂的熏陶,對傳統(tǒng)文化有著深厚的熱愛與研究。他創(chuàng)作的揚琴曲的特點有扎根于民族傳統(tǒng)及對曲式結(jié)構(gòu)的嚴(yán)謹(jǐn)和形式美十分講究這兩個方面。本文中分析的《芳季篇》組曲便是這些優(yōu)秀揚琴作品之一,它是項祖華先生1999年創(chuàng)作而成的。該作品是借鑒了中國傳統(tǒng)文化里的說唱藝術(shù)——蘇州彈詞藝術(shù),古箏藝術(shù)、民歌藝術(shù)以及古琴藝術(shù)等傳統(tǒng)文化里的藝術(shù)元素創(chuàng)作出來的,淋漓盡致的展現(xiàn)了春、夏、秋、冬四個季節(jié)的形象,并借物喻人,用四季花卉——蘭花、蓮花、菊花、梅花的音樂形象充分展現(xiàn)出人的高尚情操。又在演奏技法方面充分運用了揚琴的多種技巧,如顫竹、滑音指套、雙音琴竹等技巧,充分展現(xiàn)了中國揚琴的魅力。同時也展現(xiàn)出了他的“左右全能、點線結(jié)合、曲直相兼、縱橫交織”這十六字訣的內(nèi)涵。該作品是一部分為四個樂章的組曲,雖每首曲目篇幅不長,卻給人有精致細膩,豐富多彩的藝術(shù)感覺。 筆者在即將音樂會上演奏該作品,結(jié)合演奏,筆者對該作品進行了研究分析,不僅對作品結(jié)構(gòu)、旋律、風(fēng)格等多方面有了深層次的認識,對中國傳統(tǒng)文化藝術(shù)也有了更進一步的了解。
[Abstract]:The yangqin was introduced into China from Persia in the late Ming Dynasty and has a history of more than 400 years. At first it was accompanied by quyi, and then many schools were formed. It is a cosmopolitan national musical instrument, which has become one of the unique charismatic string instruments in modern Chinese national instrumental music. China is an ancient civilization with a history of five thousand years, with rich language, tunes and other historical cultures. Chinese traditional culture includes hundreds of schools of thought, Qin and Qi calligraphy and painting, traditional literature, traditional festivals, Chinese poetry, Chinese drama and other artistic categories. These rich cultural and artistic elements provide valuable subject matter resources for the music creation of modern composers. Mr. Xiang Zuhua was born into a musical family and was influenced by Jiangnan silk bamboo music since childhood. He has a deep love and research on traditional culture. The characteristics of his yangqin music are rooted in the national tradition and in the rigorous and formal beauty of the musical form. One of these excellent yangqin works is the Fangji Suite, which was created by Mr. Xiang Zuhua in 1999. The works draw lessons from the rap art of Chinese traditional culture-Suzhou Tanci Art, Guzheng Art, Folk Song Art, Guqin Art and other traditional cultural artistic elements, vividly showing the spring, summer, autumn, etc. The image of four seasons of winter, and by means of things to describe people, with the four seasons flowers-orchid, lotus, chrysanthemum, plum music image fully show the noble sentiment of people. In the aspect of playing techniques, many kinds of techniques of yangqin are fully used, such as fiery bamboo, slippery finger cover, double tone bamboo and so on, which fully demonstrate the charm of Chinese yangqin. At the same time, it also shows the connotation of his 16-word formula: omnipotence of left and right, combination of dots and lines, combination of straight and straight, interweaving of vertical and horizontal. The work is a four-movement suite, although each track length is not long, but gives a delicate and colorful artistic feeling. The author performed the work in the upcoming concert, combined with the performance, the author studied and analyzed the work, not only to the structure of the work, melody, style and other aspects of a deep understanding, There is also a better understanding of Chinese traditional culture and art.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J632.51

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