【摘要】： 中國戲曲是融文學(xué)、音樂、表演為一體的綜合藝術(shù)。其音樂(聲腔、伴奏)是劇情展現(xiàn)(敘事、抒情)、與聽眾共鳴的重要手段。中國戲曲音樂在漫長的發(fā)展中從單一的曲牌體發(fā)展為既有曲牌體聲腔又有板式變化體聲腔和綜合聲腔等多種體制結(jié)構(gòu)。論及戲曲音樂從曲牌體發(fā)展到板式變化體，青陽腔以其“滾調(diào)”演唱形式突破了原來曲牌的限制，使表演者能最大程度的刻畫人物形象，抒發(fā)感情。對今天戲曲聲腔中的高腔系統(tǒng)有著重要的影響，在今天的一些戲曲劇種中，青陽腔仍是重要的音樂組成成分，如目連戲、儺戲、岳西高腔、江西贛劇、福建梨園戲、庶民戲、詞明戲，湖北楚劇、清戲，湖南湘劇、四川川劇及山東的柳子戲等等。本文對青陽腔形成與發(fā)展的線索進(jìn)行了初步的探索與整理歸納；并著重對青陽腔流布過程中所表現(xiàn)出的鮮明的多樣化特點(diǎn)進(jìn)行了理論分析。筆者認(rèn)為，作為戲曲聲腔的青陽腔所體現(xiàn)出的多樣化特征也正是我國民間音樂文化所呈現(xiàn)出的共同特點(diǎn)�？v觀青陽腔的發(fā)展，它從偏安一隅的地方性戲曲聲腔一躍成為“天下時(shí)尚”的內(nèi)在原因值得今人去深刻研究。青陽腔的研究價(jià)值和文化內(nèi)涵對于我們?nèi)绾卫^承與發(fā)展民間音樂、弘揚(yáng)民族文化也有著巨大的啟示作用。
[Abstract]:Chinese opera is a comprehensive art that integrates literature, music and performance. Its music (voice, accompaniment) is the plot (narrative, lyric), resonance with the audience an important means. In the long development of Chinese opera music, it has developed from a single qu body to a variety of system structures, such as the qu body cavity, the board type change body cavity and the comprehensive sound cavity. When it comes to the development of opera music from qu to board, Qingyang cavity breaks through the limitation of the original qu with its "rolling tune" singing form, which enables performers to portray characters and express their feelings to the greatest extent. It has an important influence on the high-cavity system in today's opera. In some opera operas today, Qingyang Opera is still an important component of music, such as Mulian Opera, Nuo Opera, Yuexi Gao cavity Opera, Jiangxi Gan Opera, Fujian Liyuan Opera, and plebeian Opera. Ci Ming Opera, Hubei Chu Opera, Qing Opera, Hunan Xiang Opera, Sichuan Sichuan Opera and Shandong Liuzi Opera and so on. In this paper, the clues of the formation and development of the Qingyang cavity are preliminarily explored and summarized, and the distinct and diversified characteristics of the Qingyang cavity are emphatically analyzed. The author believes that the diverse characteristics of the Qingyang cavity, which is the voice of the opera, are the common features of the folk music culture in China. Looking at the development of Qingyang, it is worth studying deeply that it has become the internal reason of "the world fashion" from the partial local opera voice to the "world fashion". The research value and cultural connotation of Qingyang cavity have great enlightenment on how to inherit and develop folk music and carry forward national culture.
【學(xué)位授予單位】：安徽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2004
【分類號】：J609.2

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 王輝;明代中后期福建建陽刊雜志型戲曲選本研究[D];浙江師范大學(xué);2012年

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本文編號：2160985