【摘要】： 隨著《中國民歌集成》的編撰工作的啟動，中國民歌研究步入了一個新階段。但從具有較高權威性、學術性的研究資料的狀況看，中國民歌研究對調式調性、節(jié)奏、曲式(句式結構)、唱法、體系、流派、和聲等領域關注得較多，而對作為音樂分析方法學之一的“動機分析”領域從未涉入。 本文正是以音樂分析中創(chuàng)作技法分析為起點，對56首中國民歌(囊括五十六個民族)作了較為詳盡的動機分析。旨在發(fā)掘中國民歌音樂材料性質的內在聯系及其有機結合，觀察這個過程中動機與動機的變體、變體與變體之間的派生關系及相互關系，從不同角度認識中國民歌的結構方式和變化過程，再現創(chuàng)作者富有邏輯性的心理結構與作品結構的統一。其中涉及到的有關理論——中國民歌的概念、中國民歌研究概況、中國民歌與其它中國民間音樂的關系、中國民歌的特質、動機分析方法、動機的概念、動機的運用、動機在中國民歌中音高和節(jié)奏方面的運用——在上篇予以簡要地論述；下篇在簡短的緒論——關于譜例的選擇、分析角度的選擇、分析中字母標識問題——后，從音高動機及其移位與無移位的變體、節(jié)奏動機及其精確重復與變化重復的變體、音高與節(jié)奏結合的動機及其motif模式與motif and cell模式的變體的幾個角度，，以一般圖示、圖式、圖表、文字等方式，對中國民歌作了分門別類的實例分析。 在對中國民歌的動機分析過程中，無形地提出也解答了一些問題，這些問題最終歸結為一個“共性”問題，包括東方音樂創(chuàng)作與西方音樂創(chuàng)作的共性以及藝術音樂創(chuàng)作與民間音樂創(chuàng)作的共性的結合。它蘊涵在整個分析過程的每一個細節(jié)里，體現在音樂材料的組織、創(chuàng)作技法的應用、分析角度的選擇、分析方法的運用等方面，甚至包括分析方法本身。 衷心希望本文能夠使中國民歌的創(chuàng)作技法分析領域得到關注，從而為中國民歌研究盡一份微薄之力。更希望對人類音樂創(chuàng)作的“共性”問題重新審視、思考。
[Abstract]:With the initiation of compilation of Chinese Folk songs, the study of Chinese Folk songs has entered a new stage. However, from the point of view of the highly authoritative and academic research materials, the study of Chinese folk songs has paid more attention to the fields of tone, rhythm, form (sentence structure), singing, system, school, harmony and so on. As one of the methods of music analysis, the field of motivation analysis has never been involved. Based on the analysis of creative techniques in music analysis, this paper makes a detailed motivation analysis of 56 Chinese folk songs (including 56 nationalities). The purpose of this paper is to explore the intrinsic relationship and organic combination of the nature of Chinese folk song music material, and to observe the variation of motivation and motivation, the derivative relationship between variation and their mutual relationship in this process. To understand the structure and changing process of Chinese folk songs from different angles, and to reproduce the unity of the author's logical psychological structure and the structure of his works. The related theories involved are the concept of Chinese folk song, the general situation of Chinese folk song research, the relationship between Chinese folk song and other Chinese folk music, the characteristics of Chinese folk song, the method of motivation analysis, the concept of motivation, and the application of motivation. The use of motivation in Chinese Folk songs in terms of pitch and Rhythm-briefly discussed in the first part; in the second part, after the brief introduction on the selection of spectral examples, the choice of analytical angles, the analysis of the problem of letter identification in Chinese folk songs, From the angles of pitch motivation and its variants of shift and no shift, rhythmic motivation and its exact repetition and variation repetition, pitch and rhythm combination motivation and the variations of motif pattern and motif and cell pattern, the general diagram and schema are used in this paper. In this paper, some examples of Chinese folk songs are analyzed in the form of charts, characters and so on. In the process of analyzing the motivation of Chinese folk songs, some questions are put forward and answered invisibly. These questions are finally reduced to a "common" problem. It includes the generality of oriental music creation and western music creation, and the combination of artistic music creation and folk music creation. It is embodied in every detail of the whole analysis process, including the organization of musical materials, the application of creative techniques, the selection of analytical angles, the application of analytical methods, and even the analytical methods themselves. I sincerely hope that this paper can make the field of Chinese folk song creative technique analysis get attention, so as to make a modest contribution to the study of Chinese folk song. More hope to human music creation, "commonality" problem re-examine, think.
【學位授予單位】：上海音樂學院
【學位級別】：碩士
【學位授予年份】：2003
【分類號】：J607

【引證文獻】

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1 楊樹遠;土默特右旗地區(qū)山曲兒的形態(tài)研究[D];內蒙古師范大學;2011年

本文編號：2147266