石磬形態(tài)通考
[Abstract]:In this paper, a new classification of stone chimes with unearthed materials is made according to the morphological elements such as shape and decoration. This kind of classification focuses on the shape, decoration, inscription, rhythm and other elements of the stone chime. It is classified as "fuzzy stone chime", "revolutionary stone chime", "stable stone chime", "beautiful decoration stone chime". According to this kind of classification, the development and change of stone chime are analyzed in detail, and the characteristics of each type stone chime are summarized: (1) the shape of "fuzzy stone chime" is varied, and some have different personality, some of which have great relation with the preference of object owner; Some reflect the theme of the early stone chime totem worship. The ornaments depict the images of animals in the form of thick lines. There is only one inscription in the "Chronicle" category, and there is no absolute pitch on the pitch. It can be seen that this type of stone chime is mainly used for sacrificial ritual objects (.2) the shape of the "revolutionary stone chime" is still changing a lot, but there has been a clear trend, that is, in the direction of moving toward the femoral drum and in the clear direction of the jubilant sentence; the pattern is still dominated by the shady engraving of the lines. But the lines were finer, and there was an exploration of stained ink paint; in the development of the inscription, the chronicle was used as the content, but the number of words increased; the chime began to appear, but without the support of the tuning technology, The "stable stone chime" is more uniform in shape and standard: the drum is clear, the structure is reasonable, and the bottom edge is marked by concave arcs due to sound modulation. But this stability is also a dynamic development process. The pattern still continued to develop along the line shaded, but more attention was paid to composition, and the fluency of the lines also increased, and began to appear in color painting and music inscriptions; the chime had gained a high degree of development in this type, and the sound lines had matured. The trisyllabic series is based on the pattern of "sign-gong-quotient", emphasizing the relationship between pure four degrees and two degrees. The four-tone column is mainly "Gong-angle-sign-feather". The pentatonic scale is arranged mainly in the pattern of "palace, quotient, horn, sign, feather", supplemented by "sign, feather, palace, quotient, angle" pattern.) the pattern of "beautiful ornament stone chime" begins to diversify again. This diversity starts from the decorative nature of the stone chime. Among them, the symmetrical shape of the zigzag is dominant, and it has all kinds of deformations.The Qing Palace series stone chime has some shape characteristics of the stable stone chime, but from the point of view of its use, it is already completely different; the decoration is the theme of the stone chime of this type. It may have expressed the preference of the vessel owner or the belief in totem sacrifice; the inscription is mainly the "Chronicle" of "singing achievements and praising morality", and occasionally there is an inscription of music and law, but the name is no longer true; this type of stone chime has the ability to adjust the pitch, but has no intention of adjusting it. This indicates that the stone chime has lost the functional significance of music and has returned to the use of ritual objects. This "return" doomed the inevitable trend of its decline. This sort of classification also helps to explore the development clues of the stone chime shape: in shape, in various forms and in unity and diversity; in ornamentation, in the description of coarse lines, in the painting of gold lines, and in focusing on composition; and in inscriptions, "Chronicle" and "Chronicle," the inscription: "Chronicle" and "Chronicle." "Music" (music) "Chronicle", "Music Law" (sacrifice); in rhythm: there is no absolute pitch, there is a series of sounds disorder.
【學(xué)位授予單位】:上海音樂(lè)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2003
【分類號(hào)】:J609.2;K875
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