【摘要】：小提琴音樂文化是18世紀(jì)初隨著西方傳教士的東進(jìn)傳入我國的,通過一代代音樂人的實(shí)踐、傳承與創(chuàng)新,形成了富有民族特色的演奏技法。本文以五聲調(diào)式指法規(guī)律以及線性音樂美的構(gòu)造為切入點(diǎn),對(duì)小提琴演奏的民族特色與技法進(jìn)行了探析,旨在通過對(duì)小提琴演奏的民族特色的理解和科學(xué)導(dǎo)入式訓(xùn)練,使西方傳統(tǒng)演奏方式向富有中國民族特色的演奏方式自然過渡。
[Abstract]:Violin music culture was introduced into our country at the beginning of the 18th century with the eastward advance of western missionaries. Through the practice, inheritance and innovation of generations of musicians, the violin music culture formed the playing techniques with national characteristics. This paper analyzes the national characteristics and techniques of violin playing through the understanding of the national characteristics of violin playing and the training of scientific introduction, taking the law of five-tone mode of fingering and the structure of linear musical beauty as the starting point. Make the western traditional playing way to the rich Chinese national characteristics of the natural transition.
【作者單位】： 華南理工大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：J622.1

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本文編號(hào)：2142634