本文選題：施托克豪森 + 音樂(lè)觀念形成基礎(chǔ)　； 參考：《文藝爭(zhēng)鳴》2010年12期

【摘要】：德國(guó)著名現(xiàn)代音樂(lè)作曲家施托克豪森的音樂(lè)創(chuàng)作歷程漫長(zhǎng),音樂(lè)觀念獨(dú)特新穎,大膽開(kāi)放,音樂(lè)作品的數(shù)量和品種也十分繁多。本文通過(guò)對(duì)施托克豪森音樂(lè)觀念的形成與特征的論述,說(shuō)明了他的音樂(lè)觀念是20世紀(jì)文化語(yǔ)境下的產(chǎn)物,而非偶然。
[Abstract]:Germany famous modern music composer Stokhausen's music creation process is long, the music idea is unique, the bold opening, the music work quantity and the variety are also very many. Based on the discussion of the formation and characteristics of Stokhausen's musical concept, this paper shows that his musical concept is a product of the cultural context of the 20th century, not an accident.
【作者單位】： 上海音樂(lè)學(xué)院音樂(lè)學(xué)系;
【分類號(hào)】：J605
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本文編號(hào)：2106092