本文選題：唱法 + 三種唱法��； 參考：《河南大學(xué)》2004年碩士論文

【摘要】： “美聲唱法”、“民族唱法”、“通俗唱法”是20世紀(jì)80年代以來我國音樂界為了統(tǒng)一聲樂比賽時(shí)的評(píng)判標(biāo)準(zhǔn)而采用的一種演唱分類方法，簡(jiǎn)稱“三種唱法”�！叭N唱法”是一種客觀存在的文化現(xiàn)象，它是我國改革開放以來順應(yīng)社會(huì)發(fā)展而產(chǎn)生的新生事物，它的出現(xiàn)和發(fā)展具有某種不以人的意志為轉(zhuǎn)移的歷史必然性。同時(shí)，這一文化現(xiàn)象的產(chǎn)生也是由其內(nèi)在和外在的多重因素綜合而形成的。其中，社會(huì)政治經(jīng)濟(jì)關(guān)系的變革、欣賞習(xí)慣、審美文化差異、大眾的社會(huì)心理等是促成“三種唱法”這一文化現(xiàn)象形成的重要因素。 本文以“三種唱法”為主要研究對(duì)象，從文化學(xué)的角度出發(fā)，闡明了“三種唱法”這一分類方法形成的歷史背景；深入分析了“三種唱法”各要素與“三種唱法”這一分類方法之間的關(guān)系；指出“三種唱法”爭(zhēng)論的焦點(diǎn)和實(shí)質(zhì)。 文章正文共分四個(gè)部分 第一部分 我國近現(xiàn)代史上關(guān)于唱法的爭(zhēng)論 本章從建國前、建國以后到“文革”時(shí)期、改革開放時(shí)期三個(gè)歷史時(shí)期入手，，對(duì)各個(gè)時(shí)期聲樂界存在的唱法類型做概括的描述。 第二部分 “三種唱法”要素的文化分析 本章以“三種唱法”的各要素為切入點(diǎn)，從社會(huì)政治經(jīng)濟(jì)關(guān)系的變革、音樂欣賞習(xí)慣和審美文化差異、大眾的社會(huì)心理等三個(gè)方面入手，對(duì)“三種唱法”進(jìn)行文化分析，論證了“三種唱法”各要素對(duì)“三種唱法”這一分類方法形成的影響。 第三部分 關(guān)于“三種唱法”提法的爭(zhēng)論 本章對(duì)“三種唱法”所引發(fā)的社會(huì)爭(zhēng)論進(jìn)行了深刻的分析，指出了爭(zhēng)論的焦點(diǎn)和爭(zhēng)論的實(shí)質(zhì)。 第四部分 對(duì)“三種唱法”的客觀評(píng)價(jià) 本章綜合前三章的論述，對(duì)“三種唱法”這一分類方法進(jìn)行比較客觀的評(píng)價(jià)。 “三種唱法”是一種文化現(xiàn)象，對(duì)這一現(xiàn)象作深刻的研究，必將有助于我國 聲樂事業(yè)的發(fā)展，為未來我國聲樂事業(yè)的發(fā)展提供有益的參考。
[Abstract]:"Bel canto", "national singing", "popular singing" is a kind of singing classification method adopted by Chinese music industry in order to unify the standard of vocal music competition since 1980's, referred to as "three singing methods". "three ways of singing" is an objective cultural phenomenon, it is a new thing that comes into being in accordance with the social development since the reform and opening up of our country, its appearance and development has some historical inevitability which does not take the human will as the transfer. At the same time, the emergence of this cultural phenomenon is formed by its internal and external multiple factors. Among them, the transformation of social political and economic relations, appreciation habits, aesthetic cultural differences and the social psychology of the masses are the important factors contributing to the formation of the cultural phenomenon of "three ways of singing". This article takes "three singing methods" as the main research object, from the cultural point of view, expounds the historical background of the formation of the "three singing methods". This paper deeply analyzes the relationship between the elements of "three singing methods" and the classification method of "three singing methods", and points out the focal point and essence of "three singing methods". The text of the article is divided into four parts: the first part is the debate on singing method in the modern history of our country This chapter begins before the founding of the people's Republic of China From the founding of the people's Republic of China to the period of the Cultural Revolution, three historical periods of reform and opening to the outside world were carried out. The second part is the cultural analysis of the elements of the "three ways of singing". This chapter takes the elements of the "three singing methods" as the breakthrough point, from the transformation of the social, political and economic relations. Starting with the differences of music appreciation habits and aesthetic culture, and the social psychology of the masses, this paper makes a cultural analysis of the "three singing methods", and demonstrates the influence of each element of the "three singing methods" on the formation of the classification method of "three singing methods". The third part of the argument on the formulation of "three singing methods" this chapter makes a profound analysis of the social controversy caused by the "three singing methods". It points out the focus of the argument and the essence of the argument. The fourth part is the objective evaluation of "three singing methods", which synthesizes the exposition of the first three chapters, and evaluates the classification method of "three singing methods" objectively. "three ways of singing" is a cultural phenomenon. A profound study of this phenomenon will certainly contribute to the development of the cause of vocal music in China. For the future development of vocal music in China to provide a useful reference.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：J609.2

【引證文獻(xiàn)】

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本文編號(hào)：2053075