發(fā)布時間：2018-06-18 09:16

  本文選題：傳統(tǒng)音源 + 非傳統(tǒng)音源��； 參考：《南京藝術(shù)學(xué)院學(xué)報(音樂與表演版)》2010年03期

【摘要】：從新音源開掘及調(diào)性因素消解的角度,認(rèn)識20世紀(jì)現(xiàn)代音樂多聲結(jié)構(gòu)原則的發(fā)展與變化。新音源的開掘主要有"傳統(tǒng)音源材料的非常規(guī)發(fā)音"與"非傳統(tǒng)音源材料的選用"兩種方式;調(diào)性因素的消解有"調(diào)中心的回避"及"調(diào)性領(lǐng)域的極端拓展"兩條路徑,殊途同歸。
[Abstract]:The development and change of the principle of multi-sound structure of modern music in the 20th century are understood from the angle of the new sound source and the deconstruction of tonality factors. There are two main ways to explore new sound sources: "unconventional pronunciation of traditional sound source materials" and "selection of unconventional sound source materials", and the elimination of tonality factors includes two ways: "evading of the focal center" and "extreme expansion of the tonality field". All rivers run into the sea
【作者單位】： 首都師范大學(xué)音樂學(xué)院;
【分類號】：J614
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本文編號：2034970