本文選題：瓦格納 + 尼伯龍根的指環(huán)　； 參考：《上海音樂(lè)學(xué)院》2004年博士論文

【摘要】：本論文旨在研究瓦格納樂(lè)劇《尼伯龍根的指環(huán)》(以下簡(jiǎn)稱《指環(huán)》)的思想寓意。論文以音樂(lè)動(dòng)機(jī)和腳本的分析為切入點(diǎn)，結(jié)合瓦格納對(duì)社會(huì)、對(duì)人生、對(duì)音樂(lè)藝術(shù)的看法，從劇中反映的六個(gè)主題進(jìn)行研究： 1．指環(huán)，即金錢的象征，是劇中引發(fā)矛盾的根源。它無(wú)形地影響和制約著世界中的一切行為，也象征了現(xiàn)實(shí)社會(huì)中最本質(zhì)的核心：一個(gè)所有關(guān)系都緊緊圍繞著金錢而展開(kāi)的社會(huì)。 2．矛，即權(quán)力的象征。與指環(huán)一樣也是劇中引發(fā)矛盾的另一個(gè)重要的主題。矛所代表的是法律和契約為基礎(chǔ)的權(quán)力。這種權(quán)力所象征的是舊世界向新世界邁進(jìn)過(guò)程中，逐步?jīng)]落的權(quán)力，并且與指環(huán)代表的經(jīng)濟(jì)集權(quán)產(chǎn)生糾葛。 3．劍，即英雄的象征。是瓦格納在劇中賦予英雄力量的指代物。它與指環(huán)、矛所不同的是，它是新生力量的代表。英雄借助于劍所賦予的強(qiáng)大力量，與世界中的腐朽勢(shì)力抗?fàn)帲缲?fù)著改造舊世界，創(chuàng)造新世界的重托。 4．愛(ài)情，作為人類情感的一種重要體現(xiàn)，在劇中呈現(xiàn)出多種形式。權(quán)力和金錢的矛盾在摧殘人性的同時(shí)又摧殘了愛(ài)情。然而在這當(dāng)中，英雄之間純潔的愛(ài)卻最終超越了舊世界的束縛，贊頌了自由人性的回歸，并成為拯救世界的力量。 5．反叛，是舊世界向新世界轉(zhuǎn)化的途徑。在劇中，它表現(xiàn)在對(duì)神權(quán)的反叛，對(duì)舊世約法的抗?fàn)幰约皩?duì)自由的向往。對(duì)舊世的反叛，最終是通過(guò)具有巴枯寧式的自由意志的英雄來(lái)完成的。 6。死亡，作為劇中權(quán)錢爭(zhēng)奪的終結(jié)，是最能發(fā)人深思的一個(gè)主題，也是瓦格納世界觀的歸宿。這里闡述的死亡并不是簡(jiǎn)單的消亡，也不意味著社會(huì)的終結(jié)和歷史的停滯。死恰恰是對(duì)更高的生存方式的一種肯定，是將現(xiàn)實(shí)罪惡轉(zhuǎn)變成對(duì)彼岸幸福的追求。在劇中，，舊世界是在水和火的席卷中毀滅的，新世界也同樣是在水和火的洗禮中誕生的。 在對(duì)六個(gè)主題研究后，論文得出的結(jié)論是：在經(jīng)濟(jì)社會(huì)下，權(quán)力與金錢是矛盾沖突的根源，愛(ài)情是權(quán)錢利用的手段，反叛是對(duì)舊俗觀念的抗?fàn)�，死亡是�?quán)錢爭(zhēng)奪的終結(jié)，而最終將罪惡推向死亡的則是英雄，英雄是舊世界的掘墓人，新世紀(jì)的迎賓者。 這六個(gè)主題的歸納論述和其結(jié)論是本論文對(duì)《指環(huán)》研究的獨(dú)創(chuàng)性成果。在研究中，本文運(yùn)用了傳記式批評(píng)方法、社會(huì)學(xué)批評(píng)方法以及新批評(píng)方法，對(duì)《指環(huán)》進(jìn)行從內(nèi)部到外部、從神話內(nèi)容到現(xiàn)實(shí)寓意進(jìn)行研究，挖掘了在這部樂(lè)劇中涉及的有關(guān)人生、社會(huì)、哲學(xué)，倫理等方面思想內(nèi)涵。
[Abstract]:The purpose of this thesis is to study the ideological implication of Wagner's play "the Ring of Nieborough" (hereinafter referred to as "Ring of Rings"). Based on the analysis of musical motivation and script, the thesis combines Wagner's views on society, life and music art. The ring, the symbol of money, is the root cause of contradiction in the play. It intangibly affects and governs all behavior in the world, It also symbolizes the most essential core of real society: a society in which all relationships revolve around money. 2. Spear, the symbol of power. Like the ring, it is another important theme in the play that leads to conflict. Spears represent power based on law and contract. This power symbolizes the declining power of the old world as it moves towards the new world, and its conflicts with the economic centralization represented by the ring. The symbol of the hero. It was Wagner's reference to the hero's power in the play. Unlike the ring and spear, it represents the Forces nouvelles. With the help of the sword, the hero fought against the decadent forces in the world, shouldering the great trust of transforming the old world and creating a new world. 4. Love, As an important embodiment of human emotion, there are many forms in the play. The contradiction between power and money destroys human nature and love at the same time. But in the midst of this, the pure love between heroes finally transcends the bondage of the old world, celebrates the return of free human nature, and becomes the force to save the world. It is the way the old world transforms into the new world. In the play, it is manifested in the rebellion against theocracy, the struggle against the Old Testament and the yearning for freedom. The rebellion against the Old World was ultimately accomplished by a Bakunin hero of free will. 6. Death, as the end of the fight for power and money, is the most thought-provoking theme and the end-result of Wagner's worldview. The death described here is not a simple extinction, nor does it mean the end of society and the stagnation of history. Death is an affirmation of a higher way of life, a transformation of reality into the pursuit of happiness on the other side. In the play, the old world is destroyed by water and fire, and the new world is born by the baptism of water and fire. After studying the six themes, the paper concludes that power and money are the root of contradiction and conflict in economic society, love is the means of using power and money, rebellion is the struggle against the old popular idea, death is the end of power and money competition. The hero is the grave digger of the old world and the welcome of the new century. The conclusion and induction of these six topics are the originality of the research on the Ring in this paper. In the research, this paper uses biographical criticism, sociological criticism and new critical methods to study the Ring from inside to outside, from mythical content to realistic meaning. It excavates the connotation of life, society, philosophy, ethics and so on.
【學(xué)位授予單位】：上海音樂(lè)學(xué)院
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2004
【分類號(hào)】：J609.5;J83

【引證文獻(xiàn)】

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2 李泉樂(lè);瓦格納歌劇《帕西法爾》思想寓意研究[D];天津音樂(lè)學(xué)院;2012年

3 鄒紅云;瓦格納《魏森東克歌曲》研究[D];武漢音樂(lè)學(xué)院;2006年

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