試論如何在古箏演奏中獲得理想的音色
發(fā)布時(shí)間:2018-06-08 22:18
本文選題:古箏 + 演奏。 參考:《吉林藝術(shù)學(xué)院》2011年碩士論文
【摘要】:本文根據(jù)古箏音色在古箏演奏中體現(xiàn)的重要作用,在前人對(duì)古箏音色研究的基礎(chǔ)上,就如何在古箏演奏中獲得理想音色的方法進(jìn)行了研究。本文從基本音色與變化音色兩方面分析了古箏音色的構(gòu)成,并詳細(xì)地闡述了在主觀和客觀方面影響古箏音色的主要因素。根據(jù)各種因素對(duì)古箏音色影響的不同效果,通過(guò)對(duì)古箏形制的選擇,演奏技法的變換,音樂(lè)修養(yǎng)的提升等幾方面論證出在古箏演奏中獲得理想音色的解決方法,并加以實(shí)例進(jìn)行了詳細(xì)的分析。上述方法的實(shí)現(xiàn),對(duì)于古箏演奏及研究創(chuàng)作會(huì)產(chǎn)生一定的積極意義。
[Abstract]:According to the important role of the tone color of the guzheng in the guzheng performance, this paper studies how to obtain the ideal tone in the guzheng performance on the basis of the study of the tone color of the guzheng. This paper analyzes the formation of the tone color from the two aspects of the basic tone and the change tone, and expounds in detail the subjective and objective aspects. The main factors that affect the tone color of the zither. According to the different effects of various factors on the tone color of the guzheng, through the selection of the form of the guzheng, the transformation of the playing techniques and the improvement of the musical accomplishment, the solution of the ideal tone in the guzheng performance is demonstrated, and a detailed analysis is made with examples. The realization of the above methods is carried out. It will play a positive role in guzheng performance and research and creation.
【學(xué)位授予單位】:吉林藝術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2011
【分類(lèi)號(hào)】:J632.32
【參考文獻(xiàn)】
相關(guān)期刊論文 前4條
1 王晨陽(yáng);;略論古箏演奏技巧的傳承與沿革[J];黃河之聲;2008年23期
2 李軍;;古箏演奏與心理音色[J];戲曲藝術(shù);2007年01期
3 李萌;;多聲弦制古箏的特色與文化優(yōu)勢(shì)[J];樂(lè)器;2009年10期
4 賈紀(jì)文;二胡演奏中的音樂(lè)美——兼議心理音色[J];中國(guó)音樂(lè);1990年02期
,本文編號(hào):1997401
本文鏈接:http://sikaile.net/wenyilunwen/musictheory/1997401.html
最近更新
教材專(zhuān)著