本文選題：京劇音樂、審美特征、鑼鼓、京胡、雅俗合流 + ��； 參考：《中央音樂學(xué)院》2002年碩士論文

【摘要】： 本文從美學(xué)和文化學(xué)的角度對傳統(tǒng)京劇音樂的審美特征及其相關(guān)問題進(jìn)行初步的探討。其中涉及四個問題：第一，關(guān)于京劇音樂總體的審美特征。主要包括京劇音樂的審美起源，即它與中國傳統(tǒng)文化的審美觀念之間的聯(lián)系；京劇音樂的審美依據(jù)；以及形成京劇音樂審美特征的內(nèi)在和外在條件等內(nèi)容。第二，關(guān)于京劇鑼鼓的審美特征。主要包括鑼鼓對戲劇舞臺所形成的審美關(guān)系；鑼鼓所營造的氣氛中所包含的審美情趣；鑼鼓經(jīng)，，即鑼鼓的語言所包含的審美意味等內(nèi)容。第三，關(guān)于京胡藝術(shù)的審美特征。主要包括京胡藝術(shù)中所包含的中國傳統(tǒng)文化精神；京胡音質(zhì)的審美品格；京胡與聲腔形成的特殊的審美關(guān)系等內(nèi)容。第四，關(guān)于“西皮”與“二簧”的審美特征。主要包括皮簧腔中的雅俗關(guān)系；皮簧腔獨特的審美形態(tài)以及“甩腔”的妙用和“含蓄”的審美光彩。文章最后指出，京劇音樂是傳統(tǒng)審美觀的延續(xù)發(fā)展，是傳統(tǒng)文化整體的一部分，保持傳統(tǒng)京劇音樂的審美特征是京劇發(fā)展的基本前提。
[Abstract]:In this paper, the aesthetic characteristics of traditional Beijing Opera music and its related problems are preliminarily discussed from the angles of aesthetics and culture. There are four questions involved: first, the aesthetic characteristics of Beijing Opera music as a whole. It mainly includes the aesthetic origin of Beijing opera music, that is, the relationship between it and the aesthetic concept of Chinese traditional culture, the aesthetic basis of Beijing opera music, and the internal and external conditions for forming the aesthetic characteristics of Beijing opera music. Second, about the aesthetic characteristics of Beijing Opera gongs and drums. It mainly includes the aesthetic relationship formed by the gongs and drums to the theatrical stage, the aesthetic interest contained in the atmosphere created by the gongs and drums, and the aesthetic connotations of the gongs and drums' language. Third, about the aesthetic characteristics of Jinghu art. It mainly includes the spirit of Chinese traditional culture included in the art of Jinghu, the aesthetic character of the sound quality of Beijing Hu, the special aesthetic relationship between Beijing Hu and the vocal cavity, and so on. Fourth, about the aesthetic characteristics of Xipi and Erli. It mainly includes the relationship of elegance and vulgarity in the leather spring cavity, the unique aesthetic form of the leather spring cavity, the wonderful use of the "swinging cavity" and the esthetic luster of "implicit". Finally, the article points out that Beijing opera music is the continuation and development of traditional aesthetics and a part of traditional culture. Keeping the aesthetic characteristics of traditional Beijing opera music is the basic premise of the development of Beijing opera.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2002
【分類號】：J617.1

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

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相關(guān)碩士學(xué)位論文 前3條

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2 侯太勇;譚盾：解構(gòu)與重組[D];天津音樂學(xué)院;2007年

3 陳丹;歌劇《圖蘭朵》與京劇《圖蘭朵公主》審美表現(xiàn)之比較[D];陜西師范大學(xué);2009年

本文編號：1936001