發(fā)布時間：2018-05-25 01:28

  本文選題：魏晉南北朝 + 佛教�。� 參考：《四川師范大學》2012年碩士論文

【摘要】：魏晉南北朝是中國歷史上的民族大分裂時期。自西晉八王之亂以后,北方游牧部族紛紛南下,相繼建立割據政權,使中原地區(qū)陷入分裂,戰(zhàn)爭頻發(fā)、社會動蕩、疫疾流行、民眾流離失所、精神困苦,但正是這種外在動蕩的社會,卻給包括佛教音樂在內的佛教提供了很大的發(fā)展空間。佛教的治心與人心思寧,尤其是佛教音樂以它那特有的清淡、舒緩的風格直接浸潤著人們的心靈。人們在與佛教音樂心與心的交流過程中,社會也在逐漸從分裂走向統一,各民族在融合中求同存異,為大一統帝國的重建奠定了重要的基礎。 基于以上原因,本文以民族大分裂時期的魏晉南北朝為切入點,重點探索了作為外來文化的佛教及佛教音樂是在怎樣的社會大背景下生存并逐漸發(fā)展起來的,又是怎樣在民族大分裂的魏晉南北朝時期的中國,經過歷朝歷代各族統治者的倡導和僧人的改造,終于發(fā)展成為具有中國傳統風格特點的佛教及中國化的佛教音樂。首先,本文論述了魏晉南北朝時期佛教和佛教音樂產生的背景及當時的生存狀態(tài)。交代了魏晉南北朝的時代背景,分析了佛教在魏晉南北朝時期傳播興盛的原因,并對佛教音樂傳播的地域及傳播方式作了相應梳理。接著,對梵唄進行了專題研究,闡明了印度佛教音樂傳入并融入中國發(fā)生的諸多變化。梵唄音樂傳入后,經過了地域、語言、文化等方面相互交流、相互吸收的過程,形成了具有中國色彩的梵唄演變方式。在前兩點的基礎上,本文進一步對魏晉南北朝時期佛教音樂的特征作了較為深入細致的研究,從而充分地認識到魏晉南北朝時期佛教音樂的藝術價值。
[Abstract]:Wei, Jin, Southern and Northern dynasties was a period of great national division in Chinese history. After the chaos of the eight kings of the Western Jin Dynasty, the nomadic tribes of the North went south one after another and established the separatist regime one after another, causing the Central Plains region to fall into secession, frequent wars, social unrest, epidemic epidemics, people's displacement, and spiritual hardship. But it is this kind of external turbulent society that provides great space for the development of Buddhism, including Buddhist music. In particular, Buddhist music, with its unique light and soothing style, directly infiltrates people's hearts. In the process of communicating with the heart and heart of Buddhist music, the society is gradually moving from division to unification, and all nationalities seek common ground while reserving differences in fusion, which lays an important foundation for the reconstruction of the unified empire. Based on the above reasons, this paper takes the Wei, Jin and the Southern and Northern dynasties during the period of great national division as the breakthrough point, and probes into what kind of social background Buddhism and Buddhist music, which are foreign cultures, exist and develop gradually. And how in the period of the Wei Jin Southern and Northern dynasties of the great national division of China through the successive dynasties of the rulers of all ethnic groups and the transformation of monks finally developed into Chinese traditional style of Buddhism and Chinese Buddhist music. Firstly, this paper discusses the background and living state of Buddhism and Buddhist music in Wei, Jin, Southern and Northern dynasties. This paper explains the background of Wei, Jin and Southern and Northern dynasties, analyzes the reasons for the spread of Buddhism in the period of Wei, Jin and Northern and Southern dynasties, and combs the region and mode of Buddhist music dissemination. Then, a special study is made on Brahma to illustrate the many changes that have taken place in the introduction and integration of Indian Buddhist music into China. After the introduction of Brahman music, after the region, language, culture and other aspects of mutual exchange, mutual absorption process, formed a Chinese style of evolution of the Vatican. On the basis of the first two points, this paper makes a deep and detailed study on the characteristics of Buddhist music in Wei, Jin, Southern and Northern dynasties, so as to fully realize the artistic value of Buddhist music in Wei, Jin and Southern and Northern dynasties.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J608

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本文編號：1931472