發(fā)布時(shí)間：2018-05-24 00:29

  本文選題：莫扎特 + 第二十七鋼琴協(xié)奏曲��； 參考：《燕山大學(xué)》2012年碩士論文

【摘要】：莫扎特是在西方音樂(lè)史中占有重要地位的音樂(lè)家，在他短暫的35年生涯里為人類(lèi)留下了豐富而寶貴的音樂(lè)遺產(chǎn)，為音樂(lè)的發(fā)展做出了重要貢獻(xiàn)。莫扎特的《降B大調(diào)第二十七鋼琴協(xié)奏曲》（K.595）是作曲家在生命中的最后一年完成的，被許多研究莫扎特的音樂(lè)家們譽(yù)為“莫扎特的精神遺囑”，在其眾多的鋼琴協(xié)奏曲中是最具代表性的、思想內(nèi)涵最豐富的一首。本文以此作品為研究對(duì)象，通過(guò)了解作品的背景，把握作品的曲式結(jié)構(gòu)、旋律進(jìn)行等方面的特點(diǎn)以及創(chuàng)作風(fēng)格，進(jìn)而對(duì)作品進(jìn)行演奏分析，最后挖掘音樂(lè)背后的人文精神。從而對(duì)作曲家及其作品有更深的感悟和認(rèn)識(shí)。 首先，概述莫扎特生平、其鋼琴協(xié)奏曲的確立和創(chuàng)作歷程，以及《第二十七鋼琴協(xié)奏曲》的創(chuàng)作背景。并對(duì)作品的三個(gè)樂(lè)章進(jìn)行音樂(lè)本體分析，包括曲式結(jié)構(gòu)、調(diào)式調(diào)性、速度與力度、和聲發(fā)展和旋律進(jìn)行等方面。 其次，從曲式結(jié)構(gòu)和音樂(lè)風(fēng)格兩個(gè)方面分析《第二十七鋼琴協(xié)奏曲》的創(chuàng)作特點(diǎn)：具有獨(dú)創(chuàng)性的雙呈示部的奏鳴曲式和華彩樂(lè)段以及音樂(lè)風(fēng)格中的流暢性、歌唱性、平衡性和人文性。 再次，對(duì)作品的三個(gè)樂(lè)章進(jìn)行演奏分析，從速度、力度、節(jié)奏、音色、踏板以及裝飾音六個(gè)方面得出演奏技巧的結(jié)論。 最后，研究作品的人文精神，從更深層次挖掘作品的內(nèi)涵，，感知莫扎特對(duì)人生的思索。 在對(duì)《第二十七鋼琴協(xié)奏曲》的研究中，本文有理性的分析，也有感性的認(rèn)識(shí)。希望能使該作品的價(jià)值得到進(jìn)一步的體現(xiàn)與升華，同時(shí)也希望能對(duì)莫扎特作品的演奏者以及莫扎特音樂(lè)的愛(ài)好者提供一定的借鑒與幫助。
[Abstract]:Mozart is a musician who occupies an important position in the history of western music. In his short career of 35 years, he has left a rich and precious musical legacy for mankind and made important contributions to the development of music. Mozart's Piano Concerto No. 27 in B major was completed by composers in the last year of their lives, and was hailed by many Mozart musicians as "Mozart's spiritual will." In its numerous piano concertos is the most representative, the most rich ideological content of one. This article regards this work as the research object, through understanding the background of the work, grasping the characteristics and creative style of the music form structure, melody and so on, then performing and analyzing the work, finally excavating the humanistic spirit behind the music. Thus the composer and his works have a deeper understanding and understanding. Firstly, it summarizes Mozart's life, the establishment and creation process of his piano concerto, and the background of Piano Concerto No. 27. This paper also analyzes the three movements of the works, including the structure of the musical form, the tonality of the mode, the speed and intensity, the development of harmony and melody, and so on. Secondly, this paper analyzes the creative characteristics of Piano Concerto No. 27 from the aspects of musical structure and style: sonata form and colorful music passage with original double presentation and fluency and singing in music style. Balance and humanity. Thirdly, the paper analyzes the three movements of the works and draws the conclusion from the speed, intensity, rhythm, timbre, pedal and decorative sound. Finally, the humanistic spirit of the works is studied, the connotation of the works is excavated from a deeper level, and Mozart's thinking of life is perceived. In the study of Piano Concerto No. 27, this paper has rational analysis and perceptual understanding. It is hoped that the value of this work can be further reflected and sublimated, and at the same time, it is also hoped that it can provide some reference and help to Mozart performers and Mozart music lovers.
【學(xué)位授予單位】：燕山大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J624.1

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 姜宗釗;莫扎特晚期風(fēng)格研究[D];上海音樂(lè)學(xué)院;2016年

本文編號(hào)：1926986