本文選題：河南音樂文物 + 史學(xué)價(jià)值��； 參考：《河南大學(xué)》2004年碩士論文

【摘要】： 本文以河南音樂文物為研究對(duì)象。本文通過對(duì)河南音樂文物以及相關(guān)文獻(xiàn)史料進(jìn)行系統(tǒng)的梳理和分析，對(duì)歷史上各個(gè)時(shí)期河南音樂文物的主要特征、以及這些音樂文物在我國古代音樂史以及整個(gè)中華文化史中的獨(dú)特價(jià)值以分析和研究，從而在整體上對(duì)河南音樂文物及其史學(xué)價(jià)值有一個(gè)基本的了解。 全文的正文共分三章。 第一章“河南音樂文物的基本概況”，是通過對(duì)河南音樂文物進(jìn)行系統(tǒng)的梳理和分類，從歷史的角度對(duì)各個(gè)時(shí)期河南音樂文物的基本情況進(jìn)行統(tǒng)計(jì)、分析和總結(jié)。 第二章“歷史上各時(shí)期河南音樂文物的文化特征”，是以第一章的研究為基礎(chǔ)，將各個(gè)時(shí)期的音樂文物放在特定時(shí)代的文化背景下，通過對(duì)相關(guān)文化遺存和歷史文化知識(shí)的了解與分析，，進(jìn)而解讀各個(gè)時(shí)期河南音樂文物的文化特征。 第三章“河南音樂文物的史學(xué)價(jià)值”，在方法上是從文物與文獻(xiàn)的對(duì)照、印證入手，將河南音樂文物作為中國音樂史料系統(tǒng)之中的文物史料系統(tǒng)(區(qū)域性史料系統(tǒng))來對(duì)待，將其放到中國古代音樂史研究的學(xué)術(shù)背景中，通過文物與文獻(xiàn)史料系統(tǒng)的比較、互證，評(píng)價(jià)出河南音樂文物獨(dú)特的“證史”(證明文獻(xiàn)中已被記錄的史實(shí))、“正史”(糾正文獻(xiàn)中的錯(cuò)處)、“補(bǔ)史”(補(bǔ)充文獻(xiàn)中沒有的)、“創(chuàng)史”(增補(bǔ)原來史書中沒有的)價(jià)值。 本文在前人研究成果的基礎(chǔ)上，首次從整體上對(duì)河南音樂文物及其史學(xué)價(jià)值進(jìn)行較為系統(tǒng)的分析與研究。本論文的研究不僅體現(xiàn)在對(duì)河南音樂文物本身的研究，而且也對(duì)與音樂文物相關(guān)的文獻(xiàn)進(jìn)行了梳理、比較和分析，進(jìn)而對(duì)河南音樂文物的概況進(jìn)行歸納、對(duì)其文化特征進(jìn)行分析、對(duì)其史學(xué)價(jià)值進(jìn)行了評(píng)價(jià)。對(duì)于本文的主要研究成果，在文后專設(shè)有“結(jié)論”一節(jié)給予說明。
[Abstract]:This article takes Henan musical relic as the research object. In this paper, the main characteristics of Henan musical relics in different periods are analyzed by systematically combing and analyzing the historical data of Henan musical relics and related documents. And the unique value of these musical relics in the history of Chinese ancient music and the whole history of Chinese culture is analyzed and studied so as to have a basic understanding of Henan's musical relics and their historical value as a whole. The text is divided into three chapters. The first chapter, "the basic situation of Henan musical relics", through the systematic sorting and classification of Henan musical relics, from the historical point of view of the basic situation of Henan music relics statistics, analysis and summary. The second chapter, "the cultural characteristics of Henan musical relics in different periods of history", is based on the study of chapter one, and puts the musical relics of each period in the cultural background of a specific era. Through the understanding and analysis of related cultural relics and historical and cultural knowledge, the cultural characteristics of Henan musical relics in various periods are interpreted. The third chapter, "Historical value of Henan musical relics", is based on the comparison of cultural relics and literature, and regards Henan musical relics as the historical relics system (regional historical data system) in the Chinese music historical data system. Put it in the academic background of the study of Chinese ancient music history, through the comparison between the cultural relics and the historical materials system of literature, prove each other, This paper evaluates the unique "evidential history" of Henan musical relics (proving the historical facts that have been recorded in the literature, "the true history" (correcting the mistakes in the literature, "supplementing the history") (supplementing the history without in the literature, "creating the history" (supplementing the original history book) value. Based on the previous research results, this paper makes a systematic analysis and research on Henan musical relic and its historical value for the first time. The research of this thesis is not only reflected in the study of Henan musical relics itself, but also in combing, comparing and analyzing the literature related to musical relics, and then generalizing the general situation of Henan musical relics. Its cultural characteristics are analyzed and its historical value is evaluated. For the main research results, there is a "conclusion" section.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：K875;J609.2

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 馬強(qiáng);關(guān)于河南馬街書會(huì)起源的音樂研究[D];青島大學(xué);2007年

本文編號(hào)：1920553