本文選題：唐代音樂 + 改革開放年�。� 參考：《交響-西安音樂學(xué)院學(xué)報》2010年02期

【摘要】：唐代音樂在我國傳統(tǒng)音樂中居有重要地位。改革開放30年來,國內(nèi)學(xué)術(shù)界在這一研究領(lǐng)域取得了顯著的進展。從論著的出版和發(fā)表文章數(shù)量來看,唐代音樂理論與歷史研究成果的產(chǎn)出數(shù)量日益增長,學(xué)術(shù)質(zhì)量在不斷提高。從研究主題來看,唐代音樂美學(xué)思想的研究日益深入,音樂譯譜研究成績顯著,音樂歷史考證研究、唐代宮廷音樂研究成果豐碩。有關(guān)唐代音樂的學(xué)術(shù)爭論也相當(dāng)活躍,對于隋唐燕樂的概念分類問題,華樂與胡樂問題,音樂制度問題,敦煌音樂、西安鼓樂與唐代音樂的關(guān)系問題,以及唐詩與音樂繁榮關(guān)系問題的討論,已經(jīng)匯成了近30年來國內(nèi)唐代音樂文化研究的熱點議題。
[Abstract]:Tang Dynasty music plays an important role in Chinese traditional music. Since the reform and opening up 30 years ago, the domestic academic circles have made remarkable progress in this field. From the point of view of the number of published articles, the output of music theory and historical research in Tang Dynasty is increasing day by day, and the academic quality is improving constantly. From the point of view of the research theme, the study of music aesthetics in Tang Dynasty is deepening day by day, the achievement of music translation is remarkable, the research of music history is textual research, and the research of court music in Tang Dynasty is fruitful. The academic debate on music in the Tang Dynasty is also very active. As for the classification of the concept of Yan music in the Sui and Tang dynasties, the issue of Huale and Hu Le, the issue of music system, the relationship between Dunhuang music, Xi'an drum music and the music of the Tang Dynasty, The discussion on the relationship between Tang poetry and music prosperity has become a hot topic in the research of Tang Dynasty music culture in recent 30 years.
【作者單位】： 西安音樂學(xué)院西北民族音樂研究中心;
【基金】：教育部人文社會科學(xué)研究項目“唐代音樂文化研究”(編號:09YJA760036)課題成果之一
【分類號】：J609.2
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本文編號：1878460