本文選題：巴赫 + 《為了愛��； 參考：《中國音樂學(xué)院》2011年碩士論文

【摘要】：約翰·塞巴斯蒂安·巴赫(Johann Sebastian Bach,1685-1750)是音樂領(lǐng)域里最偉大的音樂大師,也是一位虔誠的新教基督徒,他一生平淡艱辛,為音樂也為尋求和榮耀上帝而畢生勞苦工作。他作為基督教作曲家始終竭盡全力用音樂傳播宗教精神,即贊美上帝、潔凈靈魂、給苦難中的人們帶來安慰。巴赫畢生的作品數(shù)量之大,無法精確統(tǒng)計,幾乎涵蓋了當(dāng)時所有的樂器,囊括了所有體裁。 巴赫的聲樂獨唱作品大多都是他的康塔塔,彌撒曲、受難曲、清唱劇中的詠嘆調(diào)部分,也有少量單獨創(chuàng)作的歌曲、經(jīng)文歌、詠嘆調(diào),但幾乎所有作品的主題內(nèi)容都與基督教信仰有關(guān),因此深入巴赫的宗教信仰也是剖析他作品本質(zhì)的關(guān)鍵一步。他的聲樂作品具有典型的巴洛克風(fēng)格和宗教色彩,完全不同于我們經(jīng)常演唱的歌劇作品和藝術(shù)歌曲。他的音樂旋律有著簡潔、純凈而莊嚴(yán)的氣質(zhì),能夠直達(dá)人的內(nèi)心,但這種聽似簡潔的音樂語言中卻蘊含著極為復(fù)雜深厚細(xì)微的情感變化和理性思想,因此想要淋漓盡致地傳遞出他音樂中的感染力是非常難的事情。歌唱者需要擁有深厚的文化底蘊、作曲技法知識、思想內(nèi)涵、演唱技巧、敏感的心靈體驗力再加上對宗教信仰的全方面認(rèn)識來更細(xì)致深入地探究,只有這樣,我們的歌聲才能傳遞出巴赫音樂靈魂深處的美。 深入巴赫聲樂作品的演唱對于中國的美聲專業(yè)學(xué)生來說是相對空缺或者說是相對薄弱的領(lǐng)域。因此,筆者從一個歌唱者的角度,透過《馬太受難曲》簡要概述以及其中最經(jīng)典的女高音詠嘆調(diào)《為了愛,我的救主寧愿去死》的唱詞旋律、作曲技法、音樂風(fēng)格等方面的分析,解開巴赫聲樂作品的玄妙之處,并通過結(jié)合自己演唱中的親身體會逐句詳解其情感與技術(shù)的處理,為專業(yè)美聲歌唱者在巴赫作品的演唱上提供可參考借鑒的理論依據(jù)。通過這一階段的研究也拓寬了筆者的演唱范圍,提高了駕馭高難作品的技術(shù)能力和表現(xiàn)力,也更加提升了自身的音樂藝術(shù)修養(yǎng)。
[Abstract]:Johann Sebastian Bach Johann Sebastian Bachan (1685-1750) is the greatest music master in the field of music and a devout Protestant Christian. He has worked hard and painstakingly for music and for seeking and glorifying God. As a Christian composer, he always tried his best to spread the religious spirit with music, that is, praise God, cleanse the soul and bring comfort to the people in distress. Bach's lifetime work was too large to be counted accurately, covering almost all the instruments of the time and all genres. Bach's vocal solos are mostly his cantata, Mass, crucifixion, oratorio arias, and a small number of solo songs, scriptures, arias, But almost all of his works have something to do with Christian belief, so it is a key step to analyze the essence of Bach's religious belief. His vocal works have a typical baroque style and religious color, totally different from the operas and art songs we often sing. His musical melody has a simple, pure and solemn temperament, which can reach the heart of a human being, but this kind of musical language, which seems to be succinct, contains extremely complex, profound, subtle emotional changes and rational thoughts. So it is very difficult to convey the appeal of his music incisively and vividly. Singers need to have profound cultural background, composition techniques, ideological connotation, singing skills, sensitive spiritual experience and a comprehensive understanding of religious beliefs to explore more carefully, only like this, It is our song that conveys the beauty of Bach's soul. The singing of Bach's vocal music works is relatively vacant or weak for Chinese students majoring in beauty. Therefore, from the point of view of a singer, through a brief overview of Matthew's crucifixion and the most classical soprano aria "for love, my Savior would rather die", Through the analysis of music style and other aspects, unraveling the mystery of Bach's vocal music works, and by combining with his own experience in singing, he explained his feelings and techniques one by one. It provides reference theory basis for professional Bach singing. Through the study of this stage, I also broaden the scope of singing, improve the technical ability and performance of highly difficult works, but also enhance their own music art accomplishment.
【學(xué)位授予單位】：中國音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J605

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