本文選題：肖邦 + f小調(diào)第二鋼琴協(xié)奏曲��； 參考：《中國(guó)音樂學(xué)院》2012年碩士論文

【摘要】：肖邦,波蘭最偉大的作曲家、鋼琴家,唯一一位僅以鋼琴創(chuàng)作而流傳百世的音樂家。情感驅(qū)使和時(shí)代需要使肖邦創(chuàng)作了《f小調(diào)第二鋼琴協(xié)奏曲》,而本文探討的“花腔式旋律”也稱華彩經(jīng)過句或華彩片段,就是肖邦最典型也是運(yùn)用最廣泛的創(chuàng)作元素�！盎ㄇ皇叫伞钡倪\(yùn)用將聲樂性與器樂性完美融合,旋律顯得愈加高貴華麗,鋼琴仿佛人聲或弦樂般具有呼吸和歌唱的能力。也正是這些“花腔式旋律”的巧妙出現(xiàn),使整首作品富有濃郁的浪漫主義色彩。如果想將“花腔式旋律”演奏得既傳神又不顯扭捏做作,既富有歌唱性又靈動(dòng)清澈的話,對(duì)Rubato節(jié)奏、觸鍵、踏板等演奏技巧要多加研究及推敲。
[Abstract]:Chopin is Poland's greatest composer, pianist, and the only musician who has lived on piano. Emotion driven and times need make Chopin create Piano Concerto No. 2 in F minor. The "Flower Melody" discussed in this paper is also called "flowery melodies", that is, Chopin is the most typical and widely used creative element. The use of "Flower Melody" perfectly merges vocal and instrumental music, melodies appear more noble and gorgeous, and the piano has the ability to breathe and sing as if it were a voice or string music. It is the ingenious appearance of these melodies that make the whole work full of romantic colors. If you want to play "Flower Melody" both vividly and not twist, both full of singing and clear, to Rubato rhythm, touch keys, pedal and other playing skills should be studied and studied.
【學(xué)位授予單位】：中國(guó)音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J624.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李永鐸;;鋼琴詩(shī)人——肖邦與《第二鋼琴協(xié)奏曲》[J];音響技術(shù);2006年09期

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本文編號(hào)：1864377