發(fā)布時間：2018-05-05 18:51

  本文選題：辛滬光 + 音樂作品　； 參考：《內(nèi)蒙古大學》2012年碩士論文

【摘要】：本論文研究總結(jié)辛滬光的藝術人生、作品的藝術特征、對當代蒙古族音樂創(chuàng)作及音樂教育作出杰出貢獻等系列問題,目的在于為內(nèi)蒙古民族音樂創(chuàng)作的發(fā)展,民族文化的保護傳承與創(chuàng)新發(fā)展、文化強區(qū)的建設提供理論參考。 首先、采用文獻整理方法搜集辛滬光老師的音樂作品近700首(部),其中聲樂作品有474首,中小型器樂作品168首,交響樂作品2部,影視、廣播劇作品13部,舞臺劇作品8部。在此基礎上分三個階段研究辛滬光的創(chuàng)作生涯。其次、采用藝術學、文化人類學、音樂形態(tài)學、音樂美學等相近學科的交叉點上進行宏觀與微觀相結(jié)合的研究方法,尋找新的生長點,分析總結(jié)出辛滬光音樂作品的內(nèi)容與形態(tài)上的整體風格特征。如下： 在內(nèi)容上主要以：1.英雄主義的贊歌及民族精神的呼喚。2.幸福生活的喜悅及感恩情結(jié)的抒發(fā)。3.草原的贊美及永恒的眷戀為主。 在形態(tài)上主要以：1.音樂的連貫性(①調(diào)式調(diào)性的中西合璧,②和聲色彩性與功能性的平衡,③多種復調(diào)法的綜合運用,④不拘一格的曲式結(jié)構,⑤民族風格的配器)；2.主題發(fā)展的靈活性(①保持型的主題發(fā)展,②變動型的主題發(fā)展)為特色。 通過研究總結(jié)得出的結(jié)論：辛滬光為蒙古族當代音樂的創(chuàng)作、蒙古族當代音樂教育的發(fā)展辛勤工作,直到生命的最后一刻；她的音樂作品富有蒙古族傳統(tǒng)音樂的風格,同時也具有現(xiàn)代感,作品不只表現(xiàn)了作曲家的精神世界,更重要的是傳達了蒙古族獨特的民族文化和時代精神。她的創(chuàng)作實踐和成功經(jīng)驗為內(nèi)蒙古幾代作曲家產(chǎn)生了積極的影響,引領蒙古族當代音樂創(chuàng)作隊伍向前進。在內(nèi)蒙古藝術學校任教的24年期間,她一人承擔過全校所有音樂理論課程的教學任務,且還曾編寫包括蒙古民歌在內(nèi)的多部內(nèi)部教材,運用到該校課堂教學當中,翻開了蒙古族現(xiàn)代音樂理論教育的嶄新一頁,使蒙古族音樂理論教育走上了專業(yè)化的道路。 辛滬光及其音樂作品研究,對促進蒙古族藝術學科的發(fā)展,理論創(chuàng)新具有重要的理論意義。研究辛滬光的音樂創(chuàng)作實踐和成功經(jīng)驗,對中國蒙古族音樂的創(chuàng)作實踐及其發(fā)展方向均有實踐性指導意義。
[Abstract]:This paper studies and summarizes the artistic life of Xin Huguang, the artistic characteristics of his works, his outstanding contributions to contemporary Mongolian music creation and music education, and so on. The purpose of this study is to promote the development of national music creation in Inner Mongolia. The protection, inheritance and innovative development of national culture and the construction of strong cultural areas provide theoretical reference. First of all, nearly 700 pieces of music by Xin-Hu-guang were collected by literature collation method. Among them, there are 474 pieces of vocal music, 168 pieces of small and medium-sized instrumental music, 2 pieces of symphonies, 13 films and television, 13 radio plays, and 8 pieces of stage plays. On this basis, there are three stages to study the creative career of Xin Huguang. Secondly, using the cross point of art, cultural anthropology, music morphology, music aesthetics and other similar disciplines to combine macro and micro to find a new growth point. Analyze and summarize the overall style characteristics of the content and form of Xin Huguang's music works. As follows: The main content of the content is 1: 1. The hymn of heroism and the call of national spirit. The joy of a happy life and the expression of gratitude complex. Prairie praise and eternal attachment to the Lord. In form, it is mainly in the form of 1: 1. The balance between harmony color and function the comprehensive application of more than three kinds of polyphonic methods: the use of non-rigid musical structure and the orchestration of national style. The flexibility of theme development is characterized by the maintenance of theme development and the variation of theme development. Through the conclusion of the study: Xin Huguang for the creation of contemporary Mongolian music, the development of contemporary Mongolian music education hard work, until the last moment of life, her music works are rich in the style of traditional Mongolian music, At the same time, it has a modern sense. It not only expresses the composer's spiritual world, but also conveys the Mongolian unique national culture and the spirit of the times. Her creative practice and successful experience have had a positive impact on several generations of composers in Inner Mongolia, leading the Mongolian contemporary music creation team forward. During her 24 years of teaching at the Inner Mongolia Art School, she took on the task of teaching all the music theory courses in the whole school. She also compiled many internal textbooks, including Mongolian folk songs, and applied them to the classroom teaching at the school. It opens a new page of Mongolian modern music theory education and makes Mongolian music theory education take a professional road. The research of Xin Huguang and his music works is of great theoretical significance to promote the development of Mongolian art discipline and theoretical innovation. The study of Xin Huguang's music creation practice and successful experience has practical guiding significance for the creation practice and development direction of Chinese Mongolian music.
【學位授予單位】：內(nèi)蒙古大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J614

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本文編號：1848885