本文選題：和聲技法 + 音樂教育家��； 參考：《當代教育科學(xué)》2014年11期

【摘要】：正《半音化的歷史演進》是我國著名音樂教育家、作曲家、上海音樂學(xué)院教授桑桐先生關(guān)于"半音化"課題一系列論文的單行本,是他和聲理論研究成果的結(jié)晶之一。如書名所示,該書以"半音化"這一和聲技法與現(xiàn)象作為研究對象,運用與音樂史學(xué)相結(jié)合的研究方法,系統(tǒng)地闡述"半音化"的產(chǎn)生與發(fā)展過程。在引言中,作者將"半音化"界定為"各種新的風(fēng)格和手法演進中一項具有根本性意義的風(fēng)格與手法特征",并指明半音化是音樂中運用非自然音、半音的聲部進行與半音和聲的手法和風(fēng)格的總稱.其內(nèi)容包括:半音的聲部進行、和弦
[Abstract]:The historical evolution of semitone is a monograph of a series of papers on the subject of "semitone" by Mr. Sang Tong, a famous music educator, composer and professor of Shanghai Conservatory of Music. It is one of the crystallization of his research results of harmony theory. As the title of the book shows, the book takes the syntonation technique and phenomenon as the research object, and systematically expounds the process of the production and development of the semitone by using the research method combined with the history of music. In the introduction, the author defines "semitone" as "a fundamental feature of style and manipulation in the evolution of various new styles and techniques", and points out that pentonation is the use of unnatural sounds in music. A general term for the way in which the sound of a semitone is carried out in harmony with a semitone. Its contents include: the sound part of the semitone is carried out, and the chord
【作者單位】： 武昌理工學(xué)院音樂與傳媒學(xué)院;
【分類號】：J604

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