本文選題：嗩吶 + 起吹�。� 參考：《天津音樂學(xué)院學(xué)報》2010年02期

【摘要】："起"、"行"、"收"作為我國古老文化中的傳統(tǒng)方法形成久遠,它不但是書法中"運筆"要訣,更是聲樂中規(guī)范"吐字"的具體要求。在實踐及研究中發(fā)現(xiàn),作為規(guī)范動作的方法,它同樣適用于嗩吶吹奏。在強調(diào)科學(xué)方法、提高演奏技能的今天,為了進一步規(guī)范嗩吶吹奏技術(shù),我們有必要將我國古老的傳統(tǒng)經(jīng)驗借鑒到嗩吶吹奏中來。
[Abstract]:As a traditional method of ancient Chinese culture, "start", "line" and "collection" has been formed for a long time. It is not only the key to "moving pen" in calligraphy, but also the concrete requirement of standard "spelling" in vocal music. In practice and research, it is found that as a method of normative action, it is also suitable for suona playing. In order to further standardize the suona playing technology, it is necessary for us to draw lessons from the ancient Chinese traditional experience in the suona playing in order to further standardize the suona playing technology.
【作者單位】： 天津音樂學(xué)院民樂系;
【分類號】：J632.14

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