本文選題：復(fù)調(diào) + 冼星海　； 參考：《河北大學(xué)》2004年碩士論文

【摘要】：冼星�！粋�出身貧賤、歷經(jīng)坎坷的音樂家,面對30 年代的災(zāi)難深重的祖國,從法國留學(xué)回國后便立即投身于以抗日救亡為主的進(jìn)步音樂戰(zhàn)線中。他始終不渝地堅持了革命新音樂的戰(zhàn)斗傳統(tǒng),并以自己的天才和努力為進(jìn)一步發(fā)展這個傳統(tǒng)作出了不可磨滅的貢獻(xiàn)。他是中國近現(xiàn)代音樂史上繼聶耳之后的又一位偉大的人民音樂家。 長期以來,關(guān)于中國音樂是單音音樂的說法似乎已成定論,但是隨著對中國傳統(tǒng)音樂的研究,我們發(fā)現(xiàn)中國音樂在局部范圍內(nèi),都不同程度地存在著復(fù)調(diào)因素,體現(xiàn)出了長期以來以直覺方式存在并延續(xù)的多聲部的旋律思維。 目前,“復(fù)調(diào)”這一西方作曲技術(shù),在我國的音樂創(chuàng)作中已屢見不鮮,但是在“冼星�！钡哪甏�,對于許多人來說只是一個陌生的外來語,是他們這些人民的音樂家將這西方的作曲技法與我國民族音樂相結(jié)合,創(chuàng)造了一系列具有強(qiáng)烈的時代精神和富于獨(dú)創(chuàng)性的音樂作品,使得這些專業(yè)技法更加貼近人民大眾,被人們所接受,并逐漸將其發(fā)展完善。 本文試從冼星海創(chuàng)作中的“復(fù)調(diào)”技巧這一角度,對其作品進(jìn)行深入分析,從而全面詳盡地論述冼星海音樂創(chuàng)作的民族性特征。同時,對比黃自、丁善德的復(fù)調(diào)創(chuàng)作,總結(jié)和概括出在復(fù)調(diào)技法的應(yīng)用與發(fā)展上,冼星海起到了承前啟后的重要作用。這對于研究中國復(fù)調(diào)音樂的發(fā)展,以及進(jìn)行民族復(fù)調(diào)寫作都具有著非常重要的意義。 2005 年是冼星海先生誕辰100 周年和逝世60 周年。本人愿以此文向這位偉大的人民音樂家表達(dá)深深的崇敬之情。
[Abstract]:Xian Xinghai, a humble, bumpy musician, faced with the disaster of the 1930s, returned from France and immediately devoted himself to the progressive music front.He unswervingly adhered to the fighting tradition of revolutionary new music and made an indelible contribution to its further development with his genius and efforts.He is another great people's musician after Nie Er in the modern music history of China.For a long time, the theory that Chinese music is monosyllabic music seems to have become a definitive conclusion, but with the study of Chinese traditional music, we find that there are polyphonic factors in some extent in Chinese music.Reflects the long-term intuitive way of existence and continuation of multi-part melody thinking.At present, "polyphonic", a Western composing technique, has become common in our country's music creation, but in the era of "Xian Xinghai", it is only a strange foreign word for many people.It was their people's musicians who combined these western composing techniques with our national music, and created a series of musical works with strong spirit of the times and originality, which made these professional techniques more close to the masses of the people.Be accepted by people, and develop and perfect it gradually.From the angle of "polyphonic" technique in Xian Xinghai's creation, this paper makes an in-depth analysis of his works, so as to expound in detail the national characteristics of Xian Xinghai's music creation.At the same time, contrasting Huang Zi and Ding Shande's polyphony creation, Xian Xinghai plays an important role in the application and development of polyphonic technique.This is of great significance to the study of the development of Chinese polyphonic music and the writing of national polyphonic music.2005 years is the 100th anniversary of Xian Xinghai's birth and the 60th anniversary of his death.I would like to express my deep reverence to this great people musician.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2004
【分類號】：J614

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相關(guān)期刊論文 前1條

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