本文選題：陳田鶴　切入點：音樂創(chuàng)作　出處：《中國音樂學(xué)院》2012年碩士論文

【摘要】：俗稱黃自“四大弟子”之一的陳田鶴,作為一位作曲家、音樂教育家一生留下了近200首(部)音樂作品。身為國統(tǒng)區(qū)“學(xué)院派”作曲家,長期以來對其研究并沒有得到廣泛關(guān)注。作為中國音樂學(xué)院“中國近現(xiàn)代史料建設(shè)與研究工程”之一,“陳田鶴學(xué)術(shù)研討會”于2011年在其百年誕辰之際召開,該課題也因此得以深入研究。筆者借課題機(jī)會得以與其家人溝通、并采訪相關(guān)學(xué)者,進(jìn)而掌握了較多史料,也發(fā)現(xiàn)了陳田鶴許多鮮為人知的未發(fā)表音樂作品。故本文將陳田鶴音樂創(chuàng)作以及未發(fā)表作品作為研究對象,將其梳理、分類、研究,在鉤沉一段史料,探求一段史實的過程中,研究作曲家的音樂創(chuàng)作思想以及近現(xiàn)代音樂史發(fā)展中的某些特征。 本文以三章為主要書寫構(gòu)設(shè)：第一章是對陳田鶴音樂生涯及音樂作品的概述。第二章專文針對其未發(fā)表的作品進(jìn)行個案解析,分別以電影歌曲、鋼琴作品以及清唱劇三種體裁為代表,探析作曲家創(chuàng)作運(yùn)思的特點,并找尋作品呈現(xiàn)出的時代特性。第三章綜合陳田鶴的整體音樂創(chuàng)作,結(jié)合作品產(chǎn)生的社會背景、闡述其創(chuàng)作呈現(xiàn)出的鮮明時代性與人文性。 本文以文獻(xiàn)史料為研究基礎(chǔ),以分析作品、音樂文論為研究手段,將音樂創(chuàng)作的宏觀梳理與微觀研究相結(jié)合,力求在歷史、社會的縱向發(fā)展中尋找作曲家的創(chuàng)作理路、思想沿革,以求拓寬該研究之面,填補(bǔ)該研究之空缺。
[Abstract]:Chen Tianhe, commonly known as Huang Zi's "four students", as a composer, music educator left nearly 200 music works in his life.As a composer of academicism in the state-controlled area, his research has not been paid much attention to for a long time.As one of the "Construction and Research projects of Modern Chinese Historical Materials" of the Chinese Conservatory of Music, "Chen Tianhe academic Symposium" was held in 2011 on the occasion of its 100th birthday.The author took the opportunity to communicate with his family and interviewed the scholars concerned, thus mastering more historical materials and discovering many unpublished music works of Chen Tianhe.Therefore, this article regards Chen Tianhe's music creation and unpublished works as the research object, combs, classifies, studies, in the process of hovering a section of historical data, seeking a section of historical facts,To study the composer's music creation thought and some characteristics in the development of modern music history.This paper is composed of three chapters: the first chapter is an overview of Chen Tianhe's musical career and music works.The second chapter focuses on his unpublished works, which are represented by three genres: film songs, piano works and oratorio. It explores the characteristics of composers' creative thinking and finds out the characteristics of the times.The third chapter synthesizes Chen Tianhe's whole music creation, unifies the social background which the work produces, elaborates its creation presents the distinct epoch and the humanity.Ideological evolution in order to broaden the scope of the study and fill the gaps in the study.
【學(xué)位授予單位】：中國音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J614

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 盧栩;陳田鶴與他的兩首鋼琴作品《序曲》和《血債》[J];鋼琴藝術(shù);1996年03期

2 崔曉麟;土地改革與知識分子思想改造[J];廣西民族學(xué)院學(xué)報(哲學(xué)社會科學(xué)版);2005年04期

3 王少為;;陳田鶴的藝術(shù)歌曲《山中》評析[J];黃河之聲;2007年12期

4 常罡;論陳田鶴及其歌曲創(chuàng)作[J];音樂研究;1985年01期

5 王次p，

本文編號：1687740