本文選題：龜茲樂　切入點：西域音樂　出處：《陜西師范大學》2004年碩士論文

【摘要】：西域音樂文化在漢唐時期就已廣泛傳播于中原大地。以龜茲樂為代表的西域樂舞在中原的傳播，使得整個中原文化產(chǎn)生了巨大的影響。并且大大推動了中原文化的變異和發(fā)展，在中原文化藝術(shù)中占據(jù)了重要地位。全文共分三個部分： 第一部分，導論。西域地理概念以及西域音樂的傳入概況。西域的地理概念有廣義、狹義的區(qū)別。在不同歷史時期，“西域”地域范圍不盡相同。西域地理位置及文化特征影響著西域民族。從樂舞的文化屬性看，雖有狹義與廣義之分，但實際這兩者之間有時很難分開。中原與西域的文化藝術(shù)交流源遠流長，漢代的中西音樂文化交流為中原傳統(tǒng)音樂文化的發(fā)展奠定了基礎(chǔ)。南北朝時大規(guī)模的音樂交流，為唐代樂舞的繁榮準備了條件。隋代是唐代樂舞發(fā)展的序曲，唐代是中原和西域樂舞藝術(shù)大交流、大融合的鼎盛時期。 第二部分，龜茲樂舞文化。龜茲地處中西交通要沖，是當時中西文化交融的中轉(zhuǎn)站。龜茲樂舞傳入內(nèi)地，盛行朝野，經(jīng)久不衰。新疆許多石窟中，保存了豐富的龜茲音樂。龜茲樂與佛教音樂關(guān)系密切，佛教文化滲透在龜茲樂中。龜茲音樂家蘇祗婆、曹婆羅門、曹妙達等，在中西音樂交流中起著不可估量的作用。《潑寒胡戲》是古代龜茲人民祈求豐年、驅(qū)災滅禍的一種假面狂歡歌舞戲。藝術(shù)價值極高的《蘇莫遮》歌舞戲畫卷，也是龜茲經(jīng)濟繁榮、國勢強盛、文化發(fā)達的一個縮影。在唐代屬于龜茲部的獅子舞由西域傳入中原，且其表演具有龜茲樂舞的風格，但其來源未必僅限于龜茲，而應是源于廣義上的西域地區(qū)。中原盛行獅子舞，是受西域獅子舞影響的結(jié)果。由此可見，中華民族的優(yōu)秀文化，是各族人民共同創(chuàng)造的。西域各少數(shù)民族的文化，是我國文化歷史長河中重要的組成部分。 第三部分，總論。以龜茲樂為代表傳入中原的西域樂舞，在中原文化藝術(shù)中占據(jù)了重要地位。在繁盛的西域樂舞中，龜茲樂最具代表性，是民族風格的集中體現(xiàn)。西域樂舞藝術(shù)在中原的盛行，一方面說明中原文化對外來文化的包容功能和博大的吸納氣度；另一方面也顯示了西域樂舞藝術(shù)本身具有強烈的穿透力和感染力。龜茲獨特的地理位置，使其文化多彩繁榮，并且具有普遍意義上的“獨特”性。這里的“龜茲樂”，泛指龜茲地方的樂舞，或具有龜茲風格的樂舞。龜茲樂舞之所以能享譽長安，廣傳中土，這與它善于吸收包括中原文化在內(nèi)的外來文化， 用以滋補和優(yōu)化自身藝術(shù)創(chuàng)造是分不開的。中原與西域音樂文化的交流除皇室和 親外，還通過佛教東傳、戰(zhàn)爭、外交和民間往來等渠道進行。在中原與西域音樂 文化的交流中，胡化與漢化是文化藝術(shù)等方面的交流融合的重要表征。隋唐時期， 上自皇帝，下至黎民，人們的樂舞戲畫，衣食住行，都顯現(xiàn)出少數(shù)民族文化，胡 化可謂盛極一時。宮廷樂舞中的坐、立部伎的音樂受龜茲樂的影響也最大。唐代 樂舞藝術(shù)的高度發(fā)展，得益于唐朝的建立。唐代的李氏皇族對于西域音樂有著特 殊的偏愛，，統(tǒng)治階級對樂舞的酷愛與提倡，在一定程度也上促進了樂舞藝術(shù)的提 高。西域音樂傳入中土之后，為了適應漢族的欣賞習慣，而有不斷漢化的過程， 龜茲樂也是。中原文化以其廣闊的胸懷兼收并蓄，融合漢、胡文化于一爐。由此 可見，中華民族的文化是各民族文化互相交流、互相學習、互相融合而發(fā)展起來 的。 仁聲了
[Abstract]:The western music culture has been widely disseminated in the Central Plains during the period of Han and Tang Dynasty . The spread of the western music and dance , represented by Torazle , has exerted great influence on the whole Central Plains culture , and has greatly promoted the variation and development of the Central Plains culture , and occupies an important position in the traditional Chinese culture art . The whole consists of three parts :








The first part , Introduction , Western geographical concept and the introduction of western music . The geographical concept of western region has broad and narrow distinction . In different historical periods , the geographical scope of western region is different .








In the second part , the music and dance culture of Tora is the center of Chinese and Western culture . It is an important part of China ' s cultural history .








The third part , the general theory , is the music and dance of the western region , which is introduced into the Central Plains , and occupies an important position in the culture and art of the Central Plains . In the flourishing western music and dance , the most representative of the folk style is the central manifestation of the national style .
On the other hand , it also shows that the western music and dance art itself has a strong penetrating power and an infection force .

















In order to nourish and optimize the creation of the art of self art is inseparable . The exchange of Central Plains and Western music culture in addition to the royal family and the western region music culture








In addition , it was carried out by means of Buddhism , East , War , Foreign Affairs and Civil Affairs . In Central Plains and Western Regions








In the exchange of culture , Hu Hua and Hanhua are the important representations of the exchange fusion of cultural art and so on . During the Sui and Tang Dynasties ,








From the emperor , the next to the Li Min , people ' s music and dance drama painting , clothing and lodging , all show the culture of ethnic minorities , Hu








It ' s a great time . The music of Kabuki ' s music is also the biggest in the music and dance of the palace , and the Tang Dynasty








The development of music and dance has benefited from the establishment of Tang Dynasty .








The great love of the ruling class to the music and dance , and the promotion of the music and dance art in a certain degree








high . after the western music is introduced into the Chinese soil , in order to adapt to the appreciation habits of the Han people ,








It is also a culture of Central Plains with its broad sense of mind . It combines the Han and Hu culture in a furnace .








It can be seen that the culture of the Chinese nation is the mutual exchange of various ethnic cultures , mutual learning , mutual integration and development








of course .








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【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2004
【分類號】：J609.2

【引證文獻】

相關(guān)期刊論文 前1條

1 李倩;;淺談敦煌舞蹈的藝術(shù)特色與地域特色[J];青年文學家;2010年15期

相關(guān)碩士學位論文 前1條

1 韓嬌艷;隋唐龜茲樂部考[D];河南師范大學;2013年

本文編號：1685297