發(fā)布時(shí)間：2018-03-24 09:21

  本文選題：南音　切入點(diǎn)：琵琶工尺譜　出處：《福建師范大學(xué)》2003年碩士論文

【摘要】： 《福建南音琵琶工尺譜與唱腔關(guān)系初探》運(yùn)用民族音樂學(xué)方法，試圖對南音琵琶“指骨”工尺譜與唱腔的內(nèi)在統(tǒng)一性、差異性，唱腔潤腔法的一般規(guī)定性，工尺譜基礎(chǔ)上的唱腔差異性特色作一較為全面的論述。 第一章，主要從撩拍(節(jié)拍)、旋律、泉州方言字調(diào)的影響三個(gè)方面入手，論述南音琵琶“指骨”工尺譜與唱腔的內(nèi)在統(tǒng)一性。南音唱腔以南音工尺譜為基礎(chǔ)、依據(jù)，二者存在著緊密的聯(lián)系。 第二章，依然從撩拍、旋律、泉州方言字調(diào)的影響三個(gè)方面入手，論述琵琶工尺譜與唱腔的差異性。琵琶工尺譜與唱腔的本質(zhì)差異在于：唱腔是工尺譜基礎(chǔ)上具有特殊意義的“第二度創(chuàng)造”。 第三章，具體論述琵琶“指骨”工尺譜對唱腔潤腔法的一般規(guī)定性�！耙�、“塞”、“貫”、“折”是南音唱腔的基本潤腔法則。在基本潤腔法基礎(chǔ)上，工尺譜不同的琵琶彈奏指法(指法組合)意味著不同的潤腔方法。 第四章，以南音琵琶工尺譜為基礎(chǔ)的南音唱腔具有即興性，，富于變化。南音唱腔的個(gè)性差異性、歷史差異性、地域差異性、時(shí)代差異性是唱腔在工尺譜基礎(chǔ)上體現(xiàn)出的幾種主要的差異性特色。
[Abstract]:A preliminary study on the relationship between the PIPA work scale and the Phonograph in Fujian Nanyin by means of ethomusicology, this paper attempts to make an attempt to unify and differ the score of "phalangeal bone" of the Nanyin pipa and the canto, as well as the general stipulation of the singing method. On the basis of the scale spectrum, the characteristics of singing difference are discussed in a more comprehensive way. In the first chapter, the author discusses the inner unity of the "phalanx" of Nanyin pipa from three aspects: the rhythm, the melody, and the tone of the dialect of Quanzhou, which is based on the score of the working-ruler of Nanyin, which is based on the "phalanx" of Nanyin. There is a close connection between the two. In the second chapter, we still start from three aspects, namely, racket, melody and the influence of Quanzhou dialect tone. This paper discusses the difference between the score of pipa ruler and that of singing. The essential difference lies in the fact that singing is the "second creation" with special significance on the basis of the score. In the third chapter, the author discusses in detail the general rules of the "phalanx" spectrum of the pipa's "phalanx", which is based on the basic fluxing method, such as "citation", "stopper", "coherence" and "folding". Different pipa playing finger (finger combination) means different way to moisten the cavity. The fourth chapter, based on the Nanyin pipa scale spectrum, has the characteristics of improvisation and variety. The difference of times is the main characteristic of singing on the basis of the scale spectrum.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2003
【分類號】：J617

【引證文獻(xiàn)】

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1 張盈盈;;論“歇?dú)狻睗櫱环ā＝弦羧菖珊蛷B門派的唱腔差異[J];樂府新聲(沈陽音樂學(xué)院學(xué)報(bào));2010年04期

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1 蔡珊蘭;論在中小學(xué)南音教學(xué)中使用橫寫工尺譜[D];福建師范大學(xué);2006年

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