本文選題：謝苗諾夫　切入點：保加利亞組曲　出處：《河南大學》2011年碩士論文　論文類型：學位論文

【摘要】：維阿切斯拉夫·謝苗諾夫(Viatcheslav Semyonov)(1946—),當代世界著名手風琴作曲家、演奏家、教育家,手風琴制造家。謝苗諾夫集演奏、創(chuàng)作、教學,巴揚制作與一身,不僅是俄羅斯巴揚藝術的杰出人物,也是世界手風琴藝術家中最杰出、最具有影響力的代表。深受世界手風琴演奏者的喜愛。 1977年謝苗諾夫被授予俄羅斯“功勛演員”稱號。1995年又被授予俄羅斯“人民演員”稱號。2000年,在莫斯科舉辦的國際器樂作曲比賽中獲第一名。謝苗諾夫先生經(jīng)常在世界各國舉辦音樂會,至今,已在包括中國在內(nèi)的40余個國家舉行過個人巴楊手風琴獨奏音樂會。謝苗諾夫還是俄羅斯手風琴界僅有的三個由俄羅斯總統(tǒng)授予的“人民藝術家”勛章獲得者之一。 本文通過對謝苗諾夫《保加利亞組曲》的研究和詳細分析,了解謝苗諾夫的創(chuàng)作風格以及其深邃的音樂內(nèi)涵、自由的即興風格和輝煌的演奏技巧。了解現(xiàn)代自由低音手風琴音樂的發(fā)展和對演奏近現(xiàn)代手風琴音樂作品的理解和把握。同時通過研究俄羅斯當代手風琴音樂作品的民族特性和創(chuàng)作風格來推動手風琴音樂的中國民族化,來推動中國民族手風琴音樂的改編和創(chuàng)作,將手風琴音樂與中國民族古典藝術融化合一,顯現(xiàn)出中國音樂的民族特點。對于我國的本專業(yè)學科發(fā)展,尤其是對本民族當代原創(chuàng)手風琴作品的開發(fā),具有十分重大的現(xiàn)實意義,從而進一步來推動了手風琴中國民族化的發(fā)展。
[Abstract]:Viatcheslav Semyonovo, a contemporary world famous accordion composer, performer, educator, accordion maker, Semyonov played, created, taught, and produced Bayan. It is not only the outstanding figure of Russian Bayan art, but also the most outstanding and influential representative of the world accordion artists. In 1977 Semyonov was awarded the title of "Meritorious Actor" of Russia. On 1995, he was awarded the title of "people's Actor" of Russia. He won the first prize in the international instrumental composition competition held in Moscow. Mr. Semyonov often gives concerts around the world, and up to now, Solo concerts have been held in more than 40 countries, including China, on the accordion. Semyonov is also one of the only three "people's artists" medallists awarded by the Russian president in the accordion world. Through the research and detailed analysis of Semyonov's "Bulgarian Suite", this paper tries to understand Semyonov's creative style and its profound musical connotation. Free improvisation style and brilliant playing skills. Understand the development of modern free bass accordion music and understand and grasp the modern accordion music works. At the same time through the study of contemporary Russian accordion music works. The national characteristics and creative style of the product are used to promote the nationalization of accordion music in China. To promote the adaptation and creation of Chinese national accordion music, melt accordion music with Chinese national classical art, and show the national characteristics of Chinese music. In particular, the development of the original accordion works of this nation is of great practical significance, thus further promoting the development of accordion nationalization in China.
【學位授予單位】：河南大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J624.3

【引證文獻】

相關期刊論文 前1條

1 吳海清;;淺談施光南聲樂作品中的民族性特征[J];大眾文藝;2012年11期

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本文編號：1598345