庫克群島傳統(tǒng)鼓樂研究
發(fā)布時間:2018-03-11 12:52
本文選題:南太平洋 切入點(diǎn):波利尼西亞 出處:《中央音樂學(xué)院》2012年碩士論文 論文類型:學(xué)位論文
【摘要】:庫克群島(Cook Islands)位于南太平洋腹地,其傳統(tǒng)鼓樂文化在波利尼西亞文化圈中獨(dú)樹一幟。本文以筆者在庫克群島進(jìn)行田野工作時收集到的第一手資料為基礎(chǔ),并參考兩份關(guān)于該群島傳統(tǒng)鼓樂的研究文本(分別寫于1982年和1992年),借用音樂民族志的研究方法對庫克群島傳統(tǒng)鼓樂的生存現(xiàn)狀進(jìn)行描寫和分析,并通過一些細(xì)節(jié),來展示作為一種音樂活態(tài)的庫克群島傳統(tǒng)鼓樂在30年間傳承發(fā)展中的歷時性變化。全文一共分為七個部分:第一部分緒論,主要介紹了筆者的研究源起、田野工作內(nèi)容、研究對象、研究的歷史與現(xiàn)狀以及研究方法和研究意義;第二部分到第六部分是文章的主體部分,該部分是筆者基于田野工作的成果,分別從文化背景、樂器類型、音樂特征、價值體現(xiàn)、身份認(rèn)同、傳承手段等六個方面,對庫克群島島傳統(tǒng)鼓樂進(jìn)行描寫和分析,并以三個個例來看該群島鼓樂在三重背景下的生存現(xiàn)狀;第七部分為結(jié)論,通過筆者所作的文本與過去的兩個文本的對比,來敘述作為一種音樂活態(tài)的庫克群島傳統(tǒng)鼓樂在當(dāng)今社會環(huán)境下的發(fā)展結(jié)果。文末,筆者對自己研究過程中遇到的一些問題進(jìn)行思考。
[Abstract]:The Cook Islands is located in the heart of the South Pacific Ocean, and its traditional drumming culture is unique in the Polynesian cultural community. This article is based on the first-hand information collected by the author during his field work in the Cook Islands. Referring to two research texts on the traditional drum music in the Islands (written on 1982 and 1992, respectively) and using the research method of musical ethnography to describe and analyze the existing situation of the traditional drum music in the Cook Islands, and through some details, To show the diachronic changes of the Cook Islands traditional drum music as a musical living state in the past 30 years. The full text is divided into seven parts: the first part is the introduction, which mainly introduces the origin of the author's research and the content of the field work. The second part to 6th part is the main part of the article, this part is based on the achievements of field work, respectively from the cultural background, musical instrument types, music characteristics, This paper describes and analyzes the traditional drum music in Cook Islands from six aspects, such as value embodiment, identity and inheritance means, and takes three examples to look at the existing situation of the drum music in the island under the triple background. Part 7th is the conclusion. Through the comparison between the author's text and the past two texts, the author describes the development of the Cook Islands traditional drum music as a kind of musical living state in the present social environment. The author thinks about some problems encountered in the course of his research.
【學(xué)位授予單位】:中央音樂學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2012
【分類號】:J636.41
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 楊民康;;中國音樂民族志研究方法論的回顧與展望[J];天津音樂學(xué)院學(xué)報;2009年03期
2 馬克·斯洛賓,陳銘道;跨文化音樂問題[J];中國音樂;1996年02期
,本文編號:1598253
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