本文選題：丁善德　切入點：鋼琴音樂　出處：《華南師范大學(xué)》2003年碩士論文　論文類型：學(xué)位論文

【摘要】： 本文對丁善德鋼琴作品的研究采用了由概括到具體、由理論到實踐的構(gòu)思設(shè)計。 首先對其鋼琴音樂總的創(chuàng)作思想原則進行了論述，分析和研究了他的創(chuàng)作特征和手法，使我們能進一步認(rèn)識和了解他在民族音樂風(fēng)格與西洋創(chuàng)作技巧的有機結(jié)合，以及在探索民族化的道路上所取得的成就。 其次，論述了其總的作品在演奏風(fēng)格方面所具有的共同特點，側(cè)重于表情、奏法、力度及音色等演奏諸要素的分析處理，力圖把握其鋼琴作品的基本演奏風(fēng)格。在這些論述中，有些是自己對其作品的理解和處理方法。 第三部分，對其鋼琴作品在教學(xué)和演奏方面作一些具體的分析和研究，涉及到創(chuàng)作背景、意圖、曲式結(jié)構(gòu)、音樂處理等方面，意在為自己及他人在這方面的演奏與教學(xué)提供一些參考和幫助。 最后，在結(jié)語部分談了丁善德音樂創(chuàng)作思想對當(dāng)今民族音樂發(fā)展的作用，以及筆者對鋼琴民族化和民族音樂鋼琴化的一點思考。盡管我國的鋼琴音樂事業(yè)取得了一些成績，但不可否認(rèn)，在鋼琴民族化和民族音樂鋼琴化的道路上還是任重而道遠的。我們需要的是有更多的象丁善德一樣，具有高超的鋼琴演奏技巧和先進的作曲技術(shù)理論，同時又深深地根植于民族土壤的作曲家。 本文對丁善德鋼琴音樂的研究，，一方面是一次重新學(xué)習(xí)，重新認(rèn)識其作品的美及價值所在，并從中去很好的吸收其創(chuàng)作中的優(yōu)秀手法。另一方面對于弘揚民族音樂文化，其精神不僅給我們以鼓舞，更給我們一些較新的思想觀點和實踐經(jīng)驗，我們需認(rèn)真思考和總結(jié)，從中尋找適合我國國情的民族音樂發(fā)展道路。
[Abstract]:In this paper, Ding Shande's piano works are designed from summary to concrete, from theory to practice. First of all, it discusses the general creative principles of his piano music, analyzes and studies his creative characteristics and techniques, so that we can further understand and understand the organic combination of his folk music style and Western creative skills. And the achievements made on the way of exploring nationalization. Secondly, it discusses the common characteristics of his general works in the aspect of playing style, focusing on the analysis and treatment of the elements of expression, playing method, intensity and timbre, in order to grasp the basic performance style of his piano works. Some are their own understanding of his work and the way to deal with it. The third part makes some concrete analysis and research on the teaching and performance of his piano works, which involves the background of creation, intention, musical structure, music processing and so on. It is intended to provide some reference and help for oneself and others in this aspect of playing and teaching. Finally, in the conclusion part, I talk about the effect of Ding Shande's music creation thought on the development of national music, and my thoughts on the nationalization of piano and the piano of folk music, although some achievements have been made in our country's piano music career. However, there is no denying that there is still a long way to go on the road of the nationalization of the piano and the piano of folk music. What we need is more piano playing skills and advanced theories of composing music, like Ding Shande. At the same time deeply rooted in the national soil of the composer. The study of Ding Shande's piano music in this paper, on the one hand, is to re-learn the beauty and value of his works, and to absorb the excellent techniques in his creation, on the other hand, to carry forward the national music culture. Its spirit not only inspires us, but also gives us some new ideas and practical experiences. We need to think and sum up carefully, from which we can find a way to develop folk music which is suitable for our country's national conditions.
【學(xué)位授予單位】：華南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2003
【分類號】：J605

【引證文獻】

相關(guān)碩士學(xué)位論文 前10條

1 蒿佳杭;試論中國傳統(tǒng)文化影響下的20世紀(jì)三、四十年代中國鋼琴藝術(shù)之文化特征[D];江西師范大學(xué);2010年

2 滕麗民;新疆民族音樂風(fēng)格鋼琴作品的分析與研究[D];西北民族大學(xué);2010年

3 趙s鈑

本文編號：1585334