本文選題：美學(xué)闡釋　切入點：傳統(tǒng)文化　出處：《湖南師范大學(xué)》2004年碩士論文　論文類型：學(xué)位論文

【摘要】：長期以來，，我們的合唱藝術(shù)常常被人等同于群眾歌詠，時至今日，對合唱的理解仍舊停留在音要準(zhǔn)、聲音要齊、音量要響，其中不乏專業(yè)音樂工作者，這無論對合唱的專業(yè)教育還是普及教育都是一種嚴(yán)重的弊病。 本文認(rèn)為，造成這一狀況的關(guān)鍵在于將合唱藝術(shù)與文化分離，將合唱作為一種宣傳和紀(jì)念的傳統(tǒng)思維沒有隨時代的發(fā)展而改進。合唱藝術(shù)就其本質(zhì)而言，它和其他藝術(shù)一樣，總是特定文化的產(chǎn)物，特定生命形態(tài)與生命方式的產(chǎn)物。所以，對合唱作品的理解和闡釋應(yīng)根植于產(chǎn)生它的文化之中。只有從文化的角度對合唱作品美學(xué)闡釋，才能對所要表現(xiàn)的作品產(chǎn)生最廣泛最深刻的認(rèn)同，也只有基于共同的恰當(dāng)?shù)睦斫庾髌�，才能產(chǎn)生作品內(nèi)容所需要的合唱音響。 本文分三個部分進行：第一部分對黃自主要合唱作品作概括性的分析；第二部分論述黃自的音樂美學(xué)思想；第三部分以中國傳統(tǒng)音樂文化為基線，結(jié)合黃自音樂美學(xué)思想中在當(dāng)今仍具有啟示意義的精華，對其主要合唱作品作美學(xué)闡釋，通過二者的融合來表現(xiàn)黃自合唱作品的獨特的美，也期望以本文的論述為開辟中國合唱藝術(shù)新的研究領(lǐng)域盡微薄之力。
[Abstract]:For a long time, our chorus art has often been equated with singing by the masses. To this day, the understanding of choral singing has remained at the level of sound, sound and volume, among which there are many professional musicians. This is a serious drawback to both the professional education of chorus and universal education. This paper argues that the key to this situation lies in the separation of choral art from culture, and the traditional thinking of choral singing as propaganda and remembrance has not improved with the development of the times. It is always a product of a particular culture, a particular life form and a life style. Therefore, the understanding and interpretation of choral works should be rooted in the culture in which they were created. In order to produce the most extensive and profound recognition of the works to be performed, and only based on a common and appropriate understanding of the works, the chorus sound needed for the content of the works can be produced. This paper is divided into three parts: the first part makes a general analysis of Huang Zi's main choral works; the second part discusses Huang Zi's musical aesthetics; the third part takes Chinese traditional music culture as the baseline. Combining the essence of Huang Zi's music aesthetics thought which still has enlightening significance at present, the aesthetic interpretation of his main choral works is made, and the unique beauty of Huang Zi's chorus works is expressed through the fusion of the two. It is also expected that this paper will open up a new research field of Chinese chorus art.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2004
【分類號】：J605

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 林花瓊;黃自《長恨歌》音樂悲劇性初探[D];福建師范大學(xué);2007年

2 孔軼;黃自清唱劇《長恨歌》中的民族性[D];西南大學(xué);2010年

本文編號：1561468