海頓早期鋼琴奏鳴曲的風(fēng)格特征及演奏分析
發(fā)布時(shí)間:2018-02-24 18:50
本文關(guān)鍵詞: 海頓 早期鋼琴奏鳴曲 風(fēng)格 特征 成就 演奏 出處:《西安音樂學(xué)院》2011年碩士論文 論文類型:學(xué)位論文
【摘要】:本文以海頓早期鋼琴奏鳴曲為研究對象,分別從它們的創(chuàng)作背景,風(fēng)格特征,重要性,創(chuàng)作特點(diǎn),創(chuàng)作成就等幾個(gè)方面進(jìn)行分析和研究,并結(jié)合作者實(shí)際演奏經(jīng)驗(yàn),探討了這些作品在演奏過程中需要注意的問題。 全文分為三章,第一章首先簡要闡述了鋼琴奏鳴曲產(chǎn)生的淵源及海頓時(shí)期鋼琴奏鳴曲的發(fā)展?fàn)顩r,接著對海頓音樂創(chuàng)作的總體特征進(jìn)行了分析。第二章首先闡述了海頓早期鋼琴奏鳴曲的創(chuàng)作背景和基本風(fēng)格特征,接著重點(diǎn)分析這些作品在海頓整個(gè)鋼琴音樂創(chuàng)作中的重要性,分析了這些作品的創(chuàng)作特點(diǎn)及成就。第三章結(jié)合實(shí)際,探討研究了這些作品在演奏過程中應(yīng)該注意的問題,從而達(dá)到使演奏者能夠更加準(zhǔn)確地表現(xiàn)海頓音樂風(fēng)格的目的。 通過對海頓早期鋼琴奏鳴曲創(chuàng)作特點(diǎn)和演奏要點(diǎn)的分析,本文旨在揭示海頓早期鋼琴奏鳴曲的重要性,使這些作品得到更多的重視。透過對這些作品的研究可以使我們了解海頓鋼琴奏鳴曲音樂風(fēng)格形成的源頭。另一方面,通過對海頓早期鋼琴奏鳴曲演奏方面的分析能夠幫助演奏者更好地把握這些作品的風(fēng)格,在演奏過程中更準(zhǔn)確地表達(dá)作曲家的創(chuàng)作意圖。
[Abstract]:Based on Haydn's Early Piano Sonatas as the research object, separately from their creation background, style characteristics, importance, creative characteristics, several creative achievements were analyzed and studied, combined with the author's practical experience of playing, discusses these works need to be paid attention to in the process of playing the problem.
This paper is divided into three chapters, the first chapter briefly introduces the origin of Piano Sonata and Haydn Piano Sonata in the development period, then the general characteristics of Haydn "s music is analyzed. The second chapter introduces Haydn's early piano creation background and basic style of song, then focuses on the analysis of the importance of these works in the Haydn piano music creation, analyzed the creation characteristics and achievements of these works. In the third chapter, combined with the actual study of these works should be paid attention to in the process of playing the problem, so as to make it more accurate performance of Haydn's musical style.
Based on the analysis of Haydn's Early Piano Sonata creation characteristic and performance points, this paper aims to reveal the importance of Haydn's Early Piano Sonatas, make these works get more attention. Through the study of these works can make us understand Haydn Piano Sonata source music style formation. On the other hand, through the Haydn's early piano sonata of the analysis can help players better grasp the work style, in the process of playing more accurately express the composer's intentions.
【學(xué)位授予單位】:西安音樂學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2011
【分類號】:J624.1
【參考文獻(xiàn)】
相關(guān)期刊論文 前6條
1 朱雅芬;海頓的鋼琴奏鳴曲[J];鋼琴藝術(shù);2002年02期
2 蘇殊;;論海頓晚期鋼琴奏鳴曲的交響性特征[J];黃河之聲;2009年13期
3 蘇琳;;古典主義時(shí)期的鋼琴奏鳴曲風(fēng)格[J];藝術(shù)百家;2008年03期
4 郭蘭蘭;蔣麗莎;;維也納古典樂派三位大師鋼琴奏鳴曲風(fēng)格差異[J];音樂生活;2008年08期
5 姚愛蓮;海頓鋼琴音樂作品中的裝飾音處理[J];樂府新聲(沈陽音樂學(xué)院學(xué)報(bào));1994年02期
6 初曉睿;;試論海頓《~bE大調(diào)鋼琴奏鳴曲》的演奏[J];樂府新聲(沈陽音樂學(xué)院學(xué)報(bào));2007年01期
,本文編號:1531341
本文鏈接:http://sikaile.net/wenyilunwen/musictheory/1531341.html
教材專著