二十世紀(jì)20~40年代的中國藝術(shù)歌曲
發(fā)布時間:2018-02-23 17:44
本文關(guān)鍵詞: 中國藝術(shù)歌曲 形成 發(fā)展 特征 出處:《西北師范大學(xué)》2003年碩士論文 論文類型:學(xué)位論文
【摘要】: 二十世紀(jì)20—40年代是中國藝術(shù)歌曲形成和發(fā)展的重要時期。它誕生于五四新文化運動時期,發(fā)展于20—40年代,并通過蕭友梅、黃自為代表的作曲家們的創(chuàng)作與探索,使其形成了中國藝術(shù)歌曲創(chuàng)作的繁榮時期。中國藝術(shù)歌曲在內(nèi)容、題材上的多形態(tài)和在形式上的繼承與創(chuàng)新,標(biāo)志著這一時期中國藝術(shù)歌曲的高起點和高水準(zhǔn),并且表現(xiàn)出這一形式在20世紀(jì)中國音樂文化中所起的重要作用。 本文主要從“縱”、“橫”兩方面進行論述:縱的方面,包括中國藝術(shù)歌曲的產(chǎn)生與發(fā)展,并對其原因做分析和解釋;橫的方面,對中國藝術(shù)歌曲的內(nèi)容和音樂進行分析,,認(rèn)為中國的作曲家們在內(nèi)容的選材上并不象歐洲浪漫主義時期的作曲家那樣帶有明顯的個人痕跡或自我的因素,而是通過這一音樂形式來表達(dá)對社會與生活的關(guān)注和責(zé)任感。音樂創(chuàng)作中,在高度吸收了德奧藝術(shù)歌曲的優(yōu)秀成就同時,將其與中國傳統(tǒng)文化進行有機結(jié)合,從而使中國的藝術(shù)歌曲在藝術(shù)形式上充分體現(xiàn)了東、西方音樂文化的融合,并具鮮明的中國特色。
[Abstract]:In 20th century, the 1940s was an important period for the formation and development of Chinese art songs. It was born during the May 4th New Cultural Movement and developed in the 1940s, and through the creation and exploration of the composers represented by Xiao Youmei and Huang Ziwei, It formed the prosperous period of Chinese art song creation. The various forms of Chinese art songs in content, subject matter, inheritance and innovation in form marked the high starting point and high standard of Chinese art songs in this period. This form played an important role in Chinese music culture in 20th century. This article mainly discusses from the "vertical", "horizontal" two aspects: vertical, including the emergence and development of Chinese art songs, and its causes are analyzed and explained; horizontal, the content and music of Chinese art songs are analyzed. It is believed that Chinese composers do not carry obvious personal traces or self-factors in content selection as they did in the European Romantic period. It is through this form of music to express concern and responsibility for society and life. In music creation, the outstanding achievements of German and Austrian art songs are highly absorbed, and at the same time, they are organically integrated with Chinese traditional culture. Thus, Chinese art songs fully embody the integration of eastern and western music and culture in their artistic forms, and have distinct Chinese characteristics.
【學(xué)位授予單位】:西北師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2003
【分類號】:J609.2
【引證文獻】
相關(guān)碩士學(xué)位論文 前2條
1 余文博;“新音樂運動”之研究[D];武漢音樂學(xué)院;2007年
2 范霞;三十年(1979-2009)中國藝術(shù)歌曲研究綜述[D];西南大學(xué);2010年
本文編號:1527035
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