本文關(guān)鍵詞： 古琴 審美 文化 樂(lè)器　出處：《吉林藝術(shù)學(xué)院》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：中國(guó)古琴這一樂(lè)器，從諸多歷史文獻(xiàn)中，都充分表明其所蘊(yùn)涵的文化意義已經(jīng)超越了樂(lè)器本身。琴樂(lè)在幾千年的傳承發(fā)展中被歷代文化精英們不斷豐富完善和有意識(shí)的美學(xué)建設(shè)，使得古琴不僅具有能夠正心、修身，而且具有齊家、治國(guó)、平天下的社會(huì)功能，其文化內(nèi)涵遠(yuǎn)超于一般其他樂(lè)器。 通過(guò)對(duì)古琴起源、儒家道家佛家思想對(duì)古琴文化的影響以及古代和近現(xiàn)代古琴的審美思想研究，，在對(duì)傳統(tǒng)文化的繼承和發(fā)揚(yáng)的基礎(chǔ)上，提出當(dāng)代意義下的審美重構(gòu)。正確地把握古琴形制、音色、文化與美學(xué)思想之間的聯(lián)系，借助古琴在中國(guó)傳統(tǒng)文化中所與生俱來(lái)的特殊性和文化體制改革的發(fā)展潮流，弘揚(yáng)古琴文化。
[Abstract]:From many historical documents, the Chinese Guqin is a musical instrument. It is fully demonstrated that its cultural significance has gone beyond the musical instrument itself. In the course of thousands of years of inheritance and development, piano music has been continuously enriched, perfected and consciously constructed by the cultural elites of all dynasties, making Guqin not only capable of self-cultivation, but also self-centered. Moreover, it has the social function of Qi family, governing the country and leveling the world, and its cultural connotation is far more than that of other musical instruments. Through the study of the origin of Guqin, the influence of Confucian Taoist Buddhist thought on Guqin culture and the aesthetic thought of ancient and modern Guqin, on the basis of inheriting and carrying forward the traditional culture, This paper puts forward the aesthetic reconstruction in the contemporary sense, correctly grasping the relationship between the guqin form, timbre, culture and aesthetic thought, and with the help of the inherent particularity of Guqin in Chinese traditional culture and the development trend of cultural system reform. Carry forward the Guqin culture.
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J632.31

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本文編號(hào)：1525633