中國雅樂在朝鮮半島的傳播與流變研究
發(fā)布時間:2018-02-01 16:42
本文關(guān)鍵詞: 中國雅樂 朝鮮半島 傳播與流變 古樂譜 出處:《山東大學(xué)》2011年碩士論文 論文類型:學(xué)位論文
【摘要】:雅樂伴隨著周代的禮樂制度而產(chǎn)生,是我國古代祭祀天地神靈祖先等典禮中所使用的音樂。為其王權(quán)統(tǒng)治服務(wù)的工具之一,在宮廷文化中持續(xù)了幾千年的歷史。雅樂傳播到韓國后,內(nèi)容基本相同,在不同的歷史時期都對朝鮮半島產(chǎn)生了不同的影響。但是,隨著封建統(tǒng)治日益衰弱,雅樂文化也隨之逐漸消亡,宮廷雅樂樂譜在中國接近失傳,只有朝鮮半島、日本及越南尚有保存,尤其是與我國鄰疆的朝鮮半島,將宋朝的大晟雅樂很好地保存下來,使之成為朝鮮音樂不可缺少的構(gòu)成因素之一,至今每年兩次向公眾演出。那么中國的雅樂傳入朝鮮半島的歷史背景是怎樣的?在融合了本地民族文化之后是怎樣變異的?朝鮮又是怎樣看待中國的文化強勢?如今保留下來的朝鮮古樂譜又是怎樣的神秘面貌?對此,筆者從中朝政治、歷史關(guān)系入手,闡述雅樂傳入朝鮮半島的必然性,通過對比考察中國雅樂在朝鮮半島的歷史變遷、樂隊編制、樂譜曲目等方面狀況,試圖對朝鮮雅樂的歷史背景、形成原因、傳承發(fā)展,朝鮮半島對中國音樂雅樂接受的形式和程度,朝鮮古代樂譜的解析及對雅樂發(fā)展的影響等做全面的分析和認知。 主要內(nèi)容概括如下: 1.對于中國雅樂和朝鮮半島雅樂在概念范疇的界定上重新進行梳理并找尋其中關(guān)聯(lián),明確其概念關(guān)系。 2.在中國雅樂傳入朝鮮半島方面的研究,站在歷史和政治的高度上,審視其內(nèi)涵和外延。 3.關(guān)于朝鮮半島的雅樂興起、發(fā)展和變異情況,盡可能在多層面、多領(lǐng)域、多角度綜合地探其原因。不僅有主觀的原因,也有客觀的原因;不僅體現(xiàn)在音樂藝術(shù)本身領(lǐng)域,也體現(xiàn)在政治經(jīng)濟、文學(xué)歷史等各個領(lǐng)域,最終歸納出中原文化在朝鮮半島演變的普遍性特點和歷史性規(guī)律。 4.朝鮮的古樂譜集很多,有歌集、舞集、器樂集成和律譜等等,對朝鮮古樂譜的初步翻譯、研究樂譜的記譜規(guī)律和表達內(nèi)容,為獲取更多更有價值的古老音樂資料和信息拋磚引玉。
[Abstract]:The elegant music came into being along with the ritual and music system of Zhou Dynasty. It is one of the instruments used in the ceremonies of offering sacrifices to the gods and spirits of heaven and earth in ancient China and serving the rule of Wang Quan. In court culture lasted thousands of years of history. After the spread of Yale to Korea, the content is basically the same, in different historical periods have different impact on the Korean peninsula. However, with the feudal rule increasingly weak. With the gradual disappearance of the culture of elegant music, the palace music of Yale nearly lost in China, only the Korean Peninsula, Japan and Vietnam are preserved, especially the Korean Peninsula, which is adjacent to our country. The Song Dynasty's grand shengya music is well preserved, making it one of the indispensable components of Korean music. So far, he has performed to the public twice a year. What is the historical background of the introduction of Chinese elegant music to the Korean Peninsula? How did it mutate after merging the local culture? How does North Korea view China's cultural prowess? What is the mysterious face of the ancient Korean music that has been preserved today? In view of this, the author begins with the political and historical relations between China and North Korea, expounds the inevitability of the introduction of elegant music into the Korean Peninsula, and through a comparative study of the historical changes of Chinese elegant Music in the Korean Peninsula, the composition of the band, the music score and other aspects. Attempts to Korean elegant music historical background, formation reason, inherits the development, the Korean peninsula to the Chinese music elegant music reception form and the degree. The analysis and cognition of the ancient Korean music score and its influence on the development of elegant music. The main points are summarized as follows: 1. To redefine the concept category of Chinese elegant music and Korean peninsula elegant music, and search for the connection among them, and make clear its concept relation. 2. From the historical and political point of view, the study on the introduction of Chinese Yale into the Korean Peninsula examines its connotation and extension. 3. The rise, development and variation of the elegant music on the Korean Peninsula, as far as possible, to find out the reasons for it from as many aspects, fields and angles as possible. There are not only subjective reasons, but also objective reasons; It is not only reflected in the field of music art itself, but also in the fields of politics, economy, literature and history. Finally, the general characteristics and historical laws of the evolution of the Central Plains culture in the Korean Peninsula are summed up. 4. There are many collections of ancient music in Korea, such as song collection, dance set, instrumental ensemble and law score, etc., the preliminary translation of Korea ancient music score, the study of the notation law and the expression content of the music score. In order to obtain more valuable ancient music materials and information.
【學(xué)位授予單位】:山東大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2011
【分類號】:J609.2
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