本文關(guān)鍵詞： 古箏藝術(shù) 繁榮發(fā)展 傳統(tǒng) 創(chuàng)新 風(fēng)格 教學(xué) 理論 作品創(chuàng)作　出處：《天津音樂學(xué)院》2002年碩士論文　論文類型：學(xué)位論文

【摘要】： 古箏是我國最古老的彈撥樂器之一。她源于民間，是鄉(xiāng)土藝術(shù)。 在幾千年的發(fā)展過程中，因為能夠適應(yīng)時代和主要流傳服務(wù)于社會民眾之中而頑強生存下來，從人民群眾中來再到人民群眾中去的深厚群眾基礎(chǔ)，是它能夠繁榮發(fā)展的最有力證明。 面對二十一世紀(jì)的大好形勢及挑戰(zhàn)，古箏藝術(shù)在現(xiàn)有成就的基礎(chǔ)上應(yīng)更好的繁榮、發(fā)展。我認為當(dāng)務(wù)之急應(yīng)在理論上加以探索、研究，并總結(jié)、歸納古箏為什么能夠蓬勃發(fā)展的根本原因及規(guī)律�？偨Y(jié)經(jīng)驗并得出相應(yīng)的結(jié)論，有助于指導(dǎo)古箏藝術(shù)今后的正確發(fā)展方向�？傊瑢τ诠殴~藝術(shù)事業(yè)來說，一個大發(fā)展、大普及、大提高、大繁榮的新局面正向我們走來。在此，本文通過對古箏藝術(shù)之所以能夠繁榮發(fā)展進行了深刻的分析與研究后，把握了古箏藝術(shù)發(fā)展的多種關(guān)系及產(chǎn)生、發(fā)展的內(nèi)在聯(lián)系，，從而得出了主要結(jié)論有：1．堅持群眾性與專業(yè)化的普及與提高的關(guān)系；2．堅持風(fēng)格多樣性與技術(shù)規(guī)范化的個性與共性的關(guān)系；3．堅持傳統(tǒng)的繼承與創(chuàng)新發(fā)展的關(guān)系；4．把握箏樂作品時代特性與對其發(fā)展前景的展望；5．加強古箏教學(xué)與理論建設(shè)的互進關(guān)系。這幾方面結(jié)論的得出使本人對古箏藝術(shù)的繁榮現(xiàn)象得到了全方位的認識，這在目前古箏藝術(shù)理論研究領(lǐng)域中是一次較全面的總結(jié)，是一種嘗試，希望能夠推動古箏藝術(shù)的繼續(xù)發(fā)展。
[Abstract]:Guzheng is one of the oldest plucked instruments in China. In the course of thousands of years of development, because it can adapt to the times and mainly spread to serve the public and tenaciously survive, from the masses to the people to go to the deep mass basis. Is the most powerful proof that it can flourish. In the face of the great situation and challenges in 21th century, the art of zither should prosper and develop on the basis of the existing achievements. I think it is imperative to explore, study, and summarize in theory. Summing up the root causes and rules of the vigorous development of guzheng. Summing up the experience and draw the corresponding conclusions, it will be helpful to guide the correct development direction of guzheng art in the future. In a word, for the Guzheng art cause. A new situation of great development, great popularization, great improvement and great prosperity is coming to us. Grasps the various relations of the development of guzheng art, produces, develops the internal relation, thus has drawn the main conclusion: 1. Insists on the mass and the specialized popularization and the enhancement relations; 2.insisting on the relationship between style diversity and technical standardization. 3. Adhere to the relationship between traditional inheritance and innovation and development; 4. Grasp the age characteristic of Zheng music works and the prospect of its development prospect; 5. Strengthen the relationship between the teaching of guzheng and the construction of theory. The conclusion of these aspects makes me have a comprehensive understanding of the prosperity of guzheng art. This is a comprehensive summary and an attempt in the field of art theory of Guzheng at present, hoping to promote the continued development of the art of guzheng.
【學(xué)位授予單位】：天津音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2002
【分類號】：J632.32

【引證文獻】

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本文編號：1449947