本文關(guān)鍵詞：鄭覲文研究　出處：《南京藝術(shù)學(xué)院》2011年碩士論文　論文類型：學(xué)位論文

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【摘要】：鄭覲文是二十世紀(jì)初中國(guó)著名的民族音樂家、音樂社會(huì)活動(dòng)家,他創(chuàng)辦了當(dāng)時(shí)在上海頗具影響力的大同樂會(huì),為中國(guó)民族音樂的振興進(jìn)行了艱難探索。由于原始資料的缺乏和社會(huì)思潮的變遷,長(zhǎng)期以來音樂界對(duì)鄭覲文的評(píng)價(jià)諸說紛紜、褒貶不一,尚缺乏深度和廣度,存在非此即彼的片面化傾向。本文以當(dāng)時(shí)報(bào)刊上有關(guān)鄭覲文及其相關(guān)的原始資料為依據(jù),并展開定向調(diào)查,結(jié)合鄭覲文撰寫的《中國(guó)音樂史》等專著論文,從鄭覲文生平、創(chuàng)辦大同樂會(huì)、學(xué)術(shù)論著、音樂思想等幾個(gè)部分對(duì)鄭覲文本人及其音樂活動(dòng)進(jìn)行了綜合性的分析論述,將鄭覲文的音樂活動(dòng)和思想置于具體的歷史時(shí)空背景下,厘清有關(guān)鄭覲文的諸多疑團(tuán),客觀指出其歷史局限性,深刻挖掘其歷史價(jià)值和影響,還原一個(gè)真實(shí)、客觀的鄭覲文。
[Abstract]:Zheng Yuwen was a famous Chinese national musician and music social activist in early 20th century. He founded the influential music association in Shanghai at that time. For a long time due to the lack of original materials and the changes of social trend of thought, the music circles have different comments on Zheng audience, and lack of depth and breadth. There is a one-sided tendency of either one or the other. This article is based on the original materials about the audience of Zheng Wen and its related materials in the newspapers and periodicals at that time, and carries out a directed investigation, combined with Zheng Youwen's "History of Chinese Music" and other monographs. From the life of Zheng Yu-wen, the founding of the concert of music, academic works, music thoughts and other parts of the comprehensive analysis of Zheng and his music activities. Put Zheng Yu-wen 's musical activities and thoughts under the specific historical time and space background, clarify many doubts about Zheng Yu-wen, objectively point out its historical limitations, deeply excavate its historical value and influence, and restore a reality. An objective audience of Zheng.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J609.2

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