本文選題：上巳節(jié) + 民俗審美��； 參考：《中南民族大學(xué)學(xué)報(bào)(人文社會科學(xué)版)》2010年02期

【摘要】：上巳節(jié)產(chǎn)生于春秋,興于兩漢,盛于魏晉,宋后逐漸融入清明節(jié)。上巳節(jié)的民俗審美活動(dòng)起源于萬物有靈基礎(chǔ)上的巫術(shù)思維,其內(nèi)涵是古代民眾對于延續(xù)后代和避免災(zāi)禍的渴望和對于人性自由的美的追求。上巳節(jié)的民俗審美內(nèi)涵與生命美學(xué)具有契合點(diǎn),即人這一民俗主體對精神自由的生命審美追求。通過對二者的交叉研究,可以從更深層的視野對民俗活動(dòng)和審美活動(dòng)進(jìn)行考察,從而為民俗美學(xué)的理論建設(shè)提供一個(gè)嶄新的視角。
[Abstract]:Shangsi Festival came into being in Spring and Autumn period, rising in Han Dynasty, flourishing in Wei and Jin dynasties, and gradually merged into Ching Ming Festival after Song Dynasty. The folk aesthetic activities of Shangsi Festival originated from the thinking of witchcraft on the basis of animism. Its connotation is the desire of the ancient people to carry on future generations and avoid disasters and the pursuit of the beauty of human freedom. The aesthetic connotation of folk custom in Shangsi Festival has the same point with the aesthetics of life, that is, the subject of folk custom pursues the life aesthetic of spiritual freedom. Through the cross-study of the two, we can investigate folklore activities and aesthetic activities from a deeper perspective, thus providing a new perspective for the theoretical construction of folklore aesthetics.
【作者單位】： 中央民族大學(xué)文學(xué)與新聞傳播學(xué)院;
【分類號】：B83-069
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本文編號：2037331