【摘要】：正危機者,《辭海》的解釋是:生死成敗的緊要關頭。中國戲劇的現狀是這樣嗎?候宏先生曾經說過:"在我看來,戲劇工作者進行自救的功力是充足的,積極性是高漲的,潛在力是源源不斷的。"你看,戲劇的生命力是這樣旺盛,這樣的生機勃勃,關鍵在于潛在力的發(fā)掘。戲曲危機,有主、客觀因素。就主觀因素而言,歸根結底,還是觀眾、劇作者、演員的危機。我作為一個劇作者,對此,發(fā)表一些意見和看法。
[Abstract]:Those who are in crisis, the explanation of the Sea of speech is: the critical moment of the success or failure of life and death. Is this the current situation of Chinese drama? Mr. Hou Hong once said: "in my opinion, the dramatist's ability to save himself is sufficient, his enthusiasm is high, and his potential is in a steady stream." You see, the vitality of drama is so exuberant, such vitality, the key lies in the potential to explore. Opera crisis, there are subjective and objective factors. As far as subjective factors are concerned, in the final analysis, it is the crisis of audience, playwright and actor. As a playwright, I make some comments and opinions on this.
【作者單位】： 福建省浦城縣文化館;
【分類號】：I207.3

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