【摘要】：《詩(shī)經(jīng)》是中國(guó)文學(xué)的源頭之作,它是“恒常的典范”,但是長(zhǎng)久以來(lái)加在“詩(shī)”上的“經(jīng)”字,使其背負(fù)了太多無(wú)法承受之重,成為教化的教鞭,讓讀者對(duì)其望而生畏。思維的定式讓我們提起《關(guān)雎》就只看到“后妃之德”,說(shuō)起《氓》就想起棄婦之詩(shī)。掙脫經(jīng)學(xué)的束縛,釋放《詩(shī)經(jīng)》最原始的魅力,對(duì)于詩(shī)三百的研究才是接地氣重人文的。詩(shī)三百匯集了瑰麗萬(wàn)千的動(dòng)植物意象,本文將選取其中的花卉意象作為研究對(duì)象,對(duì)《詩(shī)經(jīng)》中的花卉意象加以解讀。本文分四部分進(jìn)行分析:首先是對(duì)概念的界定,追溯“意象”在中國(guó)古代文學(xué)史上的起源,以時(shí)間為線索,對(duì)“意象”這一文學(xué)范疇做一個(gè)簡(jiǎn)單的梳理。并且著意解釋《詩(shī)經(jīng)》中的花卉意象具體指什么;其次,匯總《詩(shī)經(jīng)》中出現(xiàn)的花卉,從植物的生物特點(diǎn)以及生長(zhǎng)地域來(lái)進(jìn)行闡釋,并附上相關(guān)表格。在這一部分中,傾向?qū)Α对?shī)經(jīng)》的跨學(xué)科研究,由于知識(shí)儲(chǔ)備有限,言論尚為稚嫩;第三,《詩(shī)經(jīng)》是歌詠花卉的源頭,也是花意象產(chǎn)生的雛形階段。在這一部分筆者將從《詩(shī)經(jīng)》中花卉的實(shí)用價(jià)值、以花喻人、以花抒情、以花起興等角度來(lái)探源花卉意象的生發(fā);最后,從《詩(shī)經(jīng)》花卉意象中提取三種藝術(shù)類型——原始意象(蓮花)、比德意象(唐棣之花)、審美意象(桃花)分別進(jìn)行分析,理清花卉意象在文學(xué)領(lǐng)域逐步成熟的脈絡(luò)。
[Abstract]:The Book of songs is the source of Chinese literature, and it is a "model of permanence". However, the word "Jing", which has been added to "poetry" for a long time, makes it bear too much unbearable weight, becomes the teaching whip of enlightenment, and makes readers afraid of it. The formula of thinking makes us only see the morality of the concubine when we mention Guan Ju, and when we talk about Meng, we think of the poem of abandoning a woman. Breaking away from the shackles of Confucian classics and releasing the most primitive charm of the Book of songs, the study of poetry 300 is human. Poetry 300 brings together thousands of magnificent animal and plant images. This paper selects the flower images as the research object and interprets the flower images in the Book of songs. This paper is divided into four parts: first of all, it is the definition of the concept, tracing back to the origin of "image" in the history of ancient Chinese literature, taking time as a clue, to make a simple combing of the literary category of "image". The purpose of this paper is to explain what the flower image refers to in the Book of songs. Secondly, the flowers in the Book of songs are summarized and explained from the biological characteristics and growing regions of the plants, and the relevant tables are attached. In this part, the interdisciplinary study of the Book of songs tends to be young because of the limited knowledge reserve; thirdly, the Book of songs is the source of singing flowers, and it is also the embryonic stage of the emergence of flower images. In this part, the author will explore the origin of flower image from the point of view of the practical value of flowers in the Book of songs, the expression of flowers, the lyricism of flowers, and the rejuvenation of flowers. Finally, three artistic types, primitive image (lotus flower), bid image (Tang Di Hua) and aesthetic image (peach blossom), are extracted from the flower image of the Book of songs to clarify the gradual maturity of flower image in the field of literature.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.22

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