【摘要】：論體文作為一種實用性文體,是我國古代散文的大宗之一。不同時期的論體文有不同的特點,反映不同的時代主題,因而作品的內(nèi)容和風格等都會有相應的變化。六朝論體文承接漢代大一統(tǒng)局面后三國爭霸的時代氣息,在內(nèi)容、思想和藝術手法等方面都與社會變革所帶來的思想解放有關。全文分為三個部分:第一章:主要從內(nèi)容與思想文化內(nèi)蘊方面探討六朝論體文創(chuàng)作的時代性特征。本章主要分為三個部分,分別從史論、佛論、玄論等三個大的角度進行闡述。史論是以史為鑒,為當朝統(tǒng)治者及后人提供借鑒;佛論主要談及儒、釋、道三家之爭與夷夏之辯等;最后的玄理論主要談及六朝時期出現(xiàn)的影響較大的幾篇玄理論以及當時出現(xiàn)的懷疑玄學的作品。第二章:主要結合時代特點談及六朝論體文的藝術特色。本章從六朝論體文突出的理致化傾向、靈動多變的結構特點、富于文采的語言特色等三個方面對六朝論體文的藝術特色進行賞析。首先著眼于六朝論體文最根本的屬性——理致性分別文意、情感、氣勢等方面分析了六朝論體文突出的理致化傾向。在結構上則強調(diào)六朝論體文的多種結構形式及各自的優(yōu)缺點。語言上則分別從形文、聲文與情文三個方面就其語言形式、聲律和情志等特色進行分析。第三章:探討六朝論體文得以迅速發(fā)展壯大的原因。本章分為三部分,第一節(jié)從六朝論體文對前代的繼承性角度進行分析,概述自論體文誕生以來各朝代論體文創(chuàng)作的經(jīng)驗對六朝論體文得以勃興的影響。第二部分則從六朝時期文學本身發(fā)展即文學自覺的內(nèi)部原因以及當時特殊的時代背景所造成的外部原因兩個角度進行分析。第三部分主要論及六朝論體文的突出貢獻以及對后世論體文創(chuàng)作形成的影響。
[Abstract]:As a practical style, stylistic style is one of the major parts of ancient Chinese prose. Different periods of literary style have different characteristics, reflecting different themes of the times, so the content and style of the works will be changed accordingly. After the unification of the Han Dynasty, the style of the six dynasties took on the spirit of the times, which was related to the emancipation of the mind brought by the social change in the aspects of content, thought and artistic techniques and so on. The full text is divided into three parts: the first chapter: mainly from the content and ideological and cultural aspects of the six dynasties on the literary creation of the characteristics of the times. This chapter is divided into three parts, respectively from the historical theory, Buddhist theory, metaphysics and other three major angles to elaborate. History theory is to learn from history, to provide reference for rulers and posterity of the contemporary dynasty, Buddhism mainly talks about Confucianism, Buddhism, Taoism, the dispute between the three schools and the debate of Yi Xia, etc. The final metaphysical theory mainly talks about several metaphysical theories which appeared in the six dynasties and the works of skeptical metaphysics at that time. The second chapter mainly discusses the artistic characteristics of the six dynasties' style of writing in the light of the characteristics of the times. This chapter appreciates and analyzes the artistic characteristics of the six dynasties' style from three aspects: the outstanding tendency of rationalizing the six dynasties' style, the dynamic and changeable structural characteristics, and the stylistic language features. First of all, this paper analyzes the outstanding rationalizing tendency of the six dynasties' literary style by focusing on the most fundamental attribute of the six dynasties' theory of style-rationalism, respectively, emotion, momentum and so on. On the other hand, it emphasizes the various structural forms and their advantages and disadvantages of the six dynasties' style. In terms of language, the features of the language form, tone and emotion are analyzed from three aspects: the form, the sound and the emotion. The third chapter discusses the reasons why the literary style of the six dynasties developed rapidly. This chapter is divided into three parts. The first section analyzes the inheritance of the previous dynasties from the angle of succession of the six dynasties' style articles, and summarizes the influence of the experiences of the various dynasties' representative style creation on the prosperity of the six dynasties' theories of style from the perspective of the inheritance of the previous dynasties. The second part analyzes the development of literature itself in the six dynasties, that is, the internal cause of literary self-consciousness and the external causes caused by the special background of the times at that time. The third part mainly discusses the outstanding contribution of the six dynasties' theory of stylistic writing and its influence on the creation of later generations' theory of stylistic writing.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：I207.62

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