八指頭陀詩(shī)風(fēng)嬗變研究
發(fā)布時(shí)間：2018-11-24 07:40
【摘要】：本文將八指頭陀一生的詩(shī)歌創(chuàng)作分為早、中、晚三個(gè)時(shí)期:以光緒十二年(1886年)八指頭陀以師禮事王湘綺為界,劃分其詩(shī)歌創(chuàng)作的早期與中期;以光緒二十四年(1898年)八指頭陀于長(zhǎng)沙會(huì)晤中日戰(zhàn)爭(zhēng)之幸存者胡志學(xué)而大受觸動(dòng)等一系列事件作為八指頭陀詩(shī)風(fēng)由中期向晚期轉(zhuǎn)變的契機(jī)。早期(1873年—1885年)的八指頭陀詩(shī)歌主要表現(xiàn)其清閑適意的生活態(tài)度,語(yǔ)言平易,意境清幽,呈現(xiàn)出清閑自然的風(fēng)格特征。八指頭陀的中期詩(shī)風(fēng)(1886年—1897年)則轉(zhuǎn)向清麗古雅,這一時(shí)期他創(chuàng)作了大量五言古詩(shī),詩(shī)中多故實(shí),用語(yǔ)精工,色調(diào)飽滿,主要表達(dá)了其醇和高古的思想情感。到了晚期(1898年—1912年),八指頭陀的詩(shī)歌創(chuàng)作主要服務(wù)于其晚年蒼寂悲郁的心緒抒發(fā),往往直抒胸臆,用語(yǔ)冷寂奇崛,詩(shī)中滿是蒼涼、愁苦、悲哀的意象與意境,故其詩(shī)歌風(fēng)格又一變而為清蒼悲沉。綜觀八指頭陀詩(shī)歌風(fēng)格的變化過(guò)程,其不同時(shí)期詩(shī)風(fēng)之形成與轉(zhuǎn)變主要受其個(gè)人經(jīng)歷與交游、師承、時(shí)局狀況以及其自身佛禪思想等因素的綜合影響。
[Abstract]:This paper divides the poetry creation of eight fingers into three periods: one is Guang Xu for twelve years (1886) and the other is Wang Xiangqi. A series of events such as Guang Xu's meeting with the survivors of the Sino-Japanese War in Changsha in 24 years (1898) was taken as an opportunity to change the style of his poetry from the middle to the late period. In the early period (1873-1885), the eight fingers Tutou Tuo's poems mainly showed his easygoing attitude, plain language and quiet artistic conception, showing the style characteristic of leisure and nature. His middle poetic style (1886-1897) turned to elegant and elegant. During this period, he created a large number of ancient five-character poems, in which he wrote a large number of ancient poems, in which he expressed his mellow and Gao Gu's thoughts and feelings. In the late period (1898-1912), eight fingers Tutou's poems were mainly used to express his melancholy and melancholy mood in his later years, often expressing his feelings directly, with the words cold and strange rise, the poem full of desolate, sad, sad images and artistic conception. Therefore, his poetic style has changed for the Qing Cang sad. The formation and transformation of the poetic style in different periods are mainly influenced by his personal experience, current situation and his own Buddhist thoughts and so on.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.22
[Abstract]:This paper divides the poetry creation of eight fingers into three periods: one is Guang Xu for twelve years (1886) and the other is Wang Xiangqi. A series of events such as Guang Xu's meeting with the survivors of the Sino-Japanese War in Changsha in 24 years (1898) was taken as an opportunity to change the style of his poetry from the middle to the late period. In the early period (1873-1885), the eight fingers Tutou Tuo's poems mainly showed his easygoing attitude, plain language and quiet artistic conception, showing the style characteristic of leisure and nature. His middle poetic style (1886-1897) turned to elegant and elegant. During this period, he created a large number of ancient five-character poems, in which he wrote a large number of ancient poems, in which he expressed his mellow and Gao Gu's thoughts and feelings. In the late period (1898-1912), eight fingers Tutou's poems were mainly used to express his melancholy and melancholy mood in his later years, often expressing his feelings directly, with the words cold and strange rise, the poem full of desolate, sad, sad images and artistic conception. Therefore, his poetic style has changed for the Qing Cang sad. The formation and transformation of the poetic style in different periods are mainly influenced by his personal experience, current situation and his own Buddhist thoughts and so on.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.22
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